Category Archives: Androidography

Freebies! Backgrounds for blending

I always take photos of my artistic creations, for posterity and also to use as backgrounds for future photographic art projects.

Here are some close-up images of my recent run of Gelli Plate monoprinting experiments. Just a hodgepodge of textures and colours. Feel free to take them and use them as backgrounds for your own blending projects, perhaps. Or print then out and arrange them in a mosaic. Or cut shapes out of them for collage and mixed media. Freebies! Enjoy!

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Digital + Mixed Media Mashups

I’m really enjoying myself playing with my Gelli plates, both the rectangular one that’s intact and the other which I dissected into 3 round plates of different diameters, 2 small rectangular ones, and a few small triangular and square ones.

My main medium however, is digital photography. What makes me a happy bunny these days is being able to marry the two successfully. Digital + Mixed Media.

I love the possibilities this opens up. Lately I’ve been tearing up my Gelli plate monoprints (yes, really) and turning them into little handmade Art Journals. I wrote about that earlier here (insert link).

Having accumulated quite a lot of Gelli plate prints now, I decided to take photos of them and blend them with other photos on my Samsung Galaxy Note 4. I use mainly just 2 Apps – Photo Blender and Photo Editor. I love those 2 Apps.

Anyway, here are some of my latest Digital + Mixed Media Mashups, as I call them. Hope you like them!

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DISCOVER (4 templates, 12 ways)

I’ve been spending much of my time lately experimenting with Gelli Plate monoprinting. It’s a lot of fun, and some techniques I’ve tried have come out with pretty amazing results. Others, not so. Some I really love and could keep doing again and again, others I am not so enamoured with and won’t try again. As with all Art, you just have to keep experimenting until you hit on something that appeals to you.

One monoprinting technique I learnt and liked on YouTube is this one, by Clarity Stamp.

I made 4 prints using this technique and some stamps. I really liked the torn paper effect and how it reminded me of ancient, crumbly walls newly discovered by some archaeologists.

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I could’ve just gone on and printed more examples using this torn paper technique. But the mobile digital artist in me piped up and said, “Why don’t you try blending photos of those with other photos from your Samsung Galaxy Note 4? You can use the 4 monoprints as templates and generate an entire series of different artworks, with a common theme”.

This was in keeping with one of my main reasons for venturing down the path of real (vs virtual/digital) mixed media – the idea that I could then accumulate enough source material to use as backgrounds for my digital artwork.

And so, using just 2 Apps – Photo Blender and Photo Editor Editor, I followed the suggestion of my inner voice and created these 12 new images, using just the 4 prints that I’d done.

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Project Palimpsest/Butterick: Some Art I Just Created

Following on from yesterday’s Freebies, and in line with my recent obsession for mixed media art, here are some examples of Art that I’ve created using close-ups of my Project Palimpsest/Butterick canvasses.

The images on the left are of the close-ups, and on the right are the results after blending. There is some discrepancy with the size of the originals and the results – this is because I have resized the final image.

The App I use most for blending images these days is called Photo Blender. Not the most imaginative by name, but it offers the highest number of blend modes than any other App I know of. I really enjoy playing with the different blend modes until I come across one that I like. All effects are tweakable by simply swiping your finger across the screen.

Here is the link to Photo Blender: https://play.google.com/store/apps/details?id=com.primary0.photoblender

You can click on any image to see a full-page version of it. Enjoy!

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P/S: I think I just might put these up for sale on my Society 6, RedBubble, Zazzle and FineArtAmerica stores. Hmmm…:-)

Interview by Kess InHouse – AlyZen Moonshadow

I was honoured recently to be interviewed by Sara Gupta (now Sara O’Neill), co-founder of Kess InHouse designs. Kess were kind enough to take a chance on me and offer me an Art Licensing contract for my mobile photography art. I have a number of pieces with them, and continue to submit more. Kess’s products include duvet covers, pillow cases, shower curtains, fleece blankets, place mats, desk mats, cutting boards, rugs and pet products, including dog beds, pet bandannas, feeding mats and bowls.

Answering Sara’s questions was an interesting exercise in retrospection. I never realised how far I’d evolved from the starry-eyed ingenue behind my first iPhone in 2010.  It was a walk down Memory Lane for me, and reminded me of my various experiments and love affairs with different Apps, filters and effects. Has it really been 4 years since I started my mobile photography adventures?

Here’s the link to the interview,
http://www.kessinhouseblog.com/artist-spotlight-alyzen-moonshadow/

And here’s the transcript:

KIH:  Your artwork has a fun blend of mobile phone photography and graphic design flair.  When did you discover your passion for photo manipulation?

AlyZen Moonshadow: I bought my first iPhone 3 in 2010, shortly before I emigrated from Ireland to Australia. Whilst job-hunting in Australia, I decided to experiment with photo editing on my iPhone. I started out with some Apps for Lomographic effects, then got into textures and grunge, and the whole thing snowballed from there. I practised a lot in the early days, averaging between 5-10 manipulated images a day.  The more I practised, the better I got, and also the more selective about effects and filters. In 2012 I discovered some graphic design-type Apps, and for a while I was really into Swiss-style graphics. I even designed some mock CD album covers using these, and some t-shirts. In the same year, I switched from the iPhone to a Samsung Galaxy S3, and discovered Android Apps. These days I use my Samsung Galaxy S4 and my iPad 2 for my photo manipulations, so I really have the best of both worlds.  

KIH:  Your pieces are very colorful and use unique color pallettes.  How do you find color effects your art pieces and how do you develop color choices while making a new composition?

AlyZen Moonshadow: I usually start by uploading a photo to an image editing App on my Samsung Galaxy S4, then just playing around with various filters and effects. When I find one that appeals to me, or that I think merits further processing, I then move on to the next step, which is finding other elements to add to the image. Sometimes if I’m not satisfied with the colour scheme, I will edit it again to change the hue or saturation, until I’m happy with the result. I went through a brief phase early on in 2011 when I tried faded, vintage, old postcard styles, but found I’m more drawn towards bright, vibrant colours. This may come from my love of flowers in natural surroundings. If I have a favourite colour, it would be turquoise. Whenever I find a filter that gives me the colour turquoise, I try my best to keep it in the final edit. I like colours that are translucent rather than matte, so whenever possible I try to create my pieces with a sense of depth in them. I also like an element of randomness in my work. I have a folder of colourfield backgrounds that I created using photos and a very simple Android App called “Impressionist Fingerpaint”, which gives me the colours I need. It’s perfect for giving me 2 things – a sense of depth and translucency, and the element of randomness when blended with other images.

KIH:  Your latest collection of art pieces showcase stacked teacups as an homage to Alice in Wonderland.  Where did your interest in this subject spark?

AlyZen Moonshadow: I’ve always been fond of Alice in Wonderland since I was a little girl, and I got the idea of stacked teacups from surfing Pinterest online. I had a couple of teacups and saucers lying around, and some real and silk flowers, and I posed them together and edited a number of images. The flowers soon fell by the wayside, as I decided the teacups and saucers made very interesting subjects in themselves. I went through a phase buying vintage teacups and saucers on Etsy, then stacking them up higgledy piggledy for staged photoshoots. I had the idea of creating my own Mad Hatter’s Tea Party (I spell my series The Madhatter’s Teaparty), so an entire series of 100 images was born in 2012.

KIH:  What is your favorite piece (on KESS)? How did you develop the composition?

AlyZen Moonshadow: It would have to be images from my Madhatter’s Teaparty. For the photo manipulations, I used predominantly Photoshop Touch, especially the “Difference” filter to bring out the colours and to introduce an element of serendipity, as I was never sure what the results would be using that filter. Before Kess InHouse found me and my Madhatter’s Teaparty, I’d printed 35 of the images onto stretched A3 canvasses, varnished and all…in case I ever held an Art exhibition. I like to think that Alice herself would’ve been proud of my teacups!

KIH:  Your artistic process generally starts from your mobile phone.  What do you enjoy the most about utilizing cell phone cameras and applications when creating your artwork.

AlyZen Moonshadow: I think the best part is the portability of it all. I have my entire Studio in the palm of my hand, literally. No expensive paints or equipment to buy, no messy paintbrushes, no splatters on the carpet, no clearing or cleaning up to do. If I make a mistake, or if I don’t like an effect, there’s the handy Undo button, or even in extreme cases, the Delete button. I can transfer my work between my Samsung Galaxy S4 and my iPad2, or even to my desktop Mac for resizing. I can work almost anywhere, anytime – on the bus, on the train, while waiting for my coffee to percolate. Every now and then I download an App and test it out; if it adds anything to my creative process, I keep it and use it. If not, I uninstall it. Some of my fellow mobile photographers like the idea of having thousands of Apps to utilise, and bemoan the fact that the Android platform does not have half as many Apps as Apple iOS. However, my personal view is that in reality, you only need a dozen or so decent Apps to be able to create a wide variety of effects. The magic is in finding the right combination of effects. Sometimes less really is more.

KIH: Many of your pieces have abstract textures and psychedelic imagry to build up the subjects of the piece.  Where did you pick up this artistic style and what other artists made an impact on your work?

AlyZen Moonshadow: Colour is important to me, followed closely by depth and texture. I like to introduce an element of the surreal into some of my pieces. An early series that I created in 2011 is titled “Dalienutopia” and is based around photos of the Baigup Wetlands near where I used to live in Perth, Western Australia. The title is a combination of my homage to the artist Dali, and the words Alien and Utopia…and the images are surreal and weird. Another series titled “Surrealism” in 2012 came from when I was experimenting with strange objects and juxtapositions. I learnt about Dali and his contemporaries funnily enough in Music History when I was a student at college, and the ideas just stayed with me. Another artist that inspire me is Georgia O’Keeffe, you can see her influence in my photo manipulations of flowers. When I was creating my flower photographs, some friends told me my images reminded them of Georgia O’Keeffe’s paintings.

KIH:  Where do you do most of your work?

AlyZen Moonshadow: My trusty workhorse, the Samsung Galaxy S4, is rarely out of my hands, and it is also my portable Studio. So basically, I can and do work almost anywhere. For printing purposes, I have my printers (an ink-guzzling Epson Artisan 1430 and a mellow Canon Pixma MX870) in the spareroom/storeroom, which during the summer months is shared with an ongoing succession of baby Japanese Quails, that I incubate, breed and sell. The room is too small for a proper worktable, so I simply spread butcher paper over the carpet on the floor, lay out my prints on that, and do any gluing, varnishing, etc right there. It’s easy enough to tidy away again afterwards. Someday I hope to have a traditional gypsy caravan installed in my front garden, where things can be more permanent.

Couple in Love(This is my “Couple in Love” image, available on Kess inHouse here)

Playing with Diana

Haha…bet that made you wonder who Diana is and what sort of play I meant. Wink, wink!

Since we are in polite company, I shall resist the temptation to make salacious remarks and put my double entendres away. (I’m sure there’s meant to be a comma in there somewhere, oh there you are 😄).

The “Diana” in question here is not a person but a camera. A cheap plastic camera made in Hong Kong in the 1960s, which caught the imagination of enthusiasts even after being discontinued, so much so that there has been a resurgence in its popularity and a renaissance in its production. To own an original Diana camera today is a sign of enthusiasm for photographic nostalgia (not to mention money). Luckily, because modern-day Dianas are easily available, you can get your dirty hands on a new one for less than $100.

Yes, it’s delightfully analogue! It even uses Film! It’s untouched by Apple or Android, it doesn’t know what an App is! Actually, that’s not quite true true…because, even though the Diana remains analogue, and relies on film rolls (what are those, I hear some of you ask), there are many websites and online forums devoted to Diana photography, and there are also Apps showcasing Diana cameras and other retro plastic cameras.

Personally, my introduction to mobile photography came about via Lomography, or lo-fi photography from the likes of the Diana and other plastic cameras. I remember playing with my iPhone 3 back in 2010, and discovering Apps with Lomographic filters and effects. And just like that, I was hooked. I didn’t go as far as to buy a modern Diana camera, though they were easily available online on eBay and at retro shops such as Pigeonhole in Australia. What put me off was the fact that the camera relied on actual film, which needed processing at a camera shop, and that meant trips to the shops, which meant money to be spent on processing and on film. Do you know how hard it is these days to even find analogue film? And don’t forget to factor in the cost of processing film. Also, with me being digital on the iPhone, I could see at a glance whether a photo would be retained or simply deleted from my camera roll, and I could choose which photos to develop. Not so with the Diana, where you don’t get to see what your shots look like, before they are developed.

Having said that, today’s Diana offers pinhole functionality, where you basically remove the lens and use a pinhole filter instead. The resulting image is captured onto the film. This makes for an array of interesting effects such as blurred images, colour bleeds, double exposures, haloes and strange blobs. Very retro chic indeed. Hmmm…maybe I should get a Diana after all, just for this function…or I’m sure there’s an App for that, right?

I downloaded an App the other day called aptly enough, “Diana Photo“, which is happily available both on Android and Apple iOS. The user interface is simple enough – you simply load up 2 photos from your smartphone, then choose what effects you want to use for blending them. Now, this is different from standard photo editing blend modes (screen, difference, multiply, overlay etc). You can’t tweak any of the parameters, so it really is pot luck whether a blend works or not. Here’s a screenshot of the user interface:

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Yes, it’s all in square format. Instagrammers will love this App.

Here are the different blends available on Diana Photo. There are 21 in total (sorry, they wouldn’t fit on just one screenshot):

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I was just playing with this App when it struck me that these “accidental” double exposures were beautiful in their own right, and it would be a waste not to to create a Lenormand divination card deck using this App.

And so I have. The “Diana Lenormand” by AlyZen Moonshadow is now in production as I write this. When I get the printed copy I will share the results with you all.

Meanwhile, here are some examples of the type of images the Diana Photo App produced:

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FREEBIES! When PicsArt met Pixlr Express

I’d originally intended to use some geometrical backgrounds found in the app PicsArt, along with geometrical effects found in the app Pixlr Express, as the backdrop of a new Lenormand project. However, these backgrounds took on a life of their own and proved too distracting and so that idea had to be shelved.

Not wanting to just let the images go to waste, though, I’ve decided to share them here with you. All I’ve done is blend the PicsArt backgrounds with some colourfield backgrounds I created, or with other random images I’d created in the past. Remember, these were just building blocks for a project that got shelved.

Feel free to save them perhaps as your smartphone’s wallpaper. Enjoy!

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P/s: I’ve since created my Le Geometrical Lenormand deck, however utilising only the effects found in Pixlr Express.

Artsy Quails

Just messing around with an App called Photomania. It’s a very simple App, with set filters, no way of modifying anything, no undo or redo buttons. Handy for on-the-fly photo editing, but not for any “serious” mobile photography art. Some of the effects are quite good, I must say.

I’d taken some photos of a few of my Japanese Quail today, in preparation for them going to a new home. The lady meant to collect them let me down, so I’ve still got them in my aviary. I did get some pretty good close-ups, though, so I thought I might as well put Photomania through its paces and see what the results might look like.

Here they are:

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The Story of the Mongrel Lenormand

A girl can change her mind as many times as she likes, right? A week ago, when I wrote about my Half-Tone Lenormand and Altered Half-Tone Lenormand here, I thought I’d be happy enough with the end results of my experimentation with various Apps.

Not so, apparently. Since then, I’ve decided that the Half-Tone Lenormand is too squeaky clean for my own liking. Boring, even. So That deck will be shelved and won’t see the light of day. Vanilla is nice and has its place, but just not for me today, thanks. 

The Altered Half-Tone Lenormand, on the other hand, I thought was not grunged up or aged enough. I wanted more wear and tear. I wanted Destruction. Yes, that was more of the effect I wanted. What happened next took on a life of its own.

The official story now goes like this:

Once upon a time there was a little girl who cut out images from newspapers. She glued these clippings to paper, then added some numbers and writing. She had an old deck of playing cards, and decided it would be fun to stick them to her paper too, one card for each newspaper clipping, like a collage.

After she had done all that, the little girl put her project away in a shoebox under her bed, and went out to play. By bedtime, she had forgotten all about her artwork. Such are the minds of little girls.

So the 36 collages that the little girl had made one afternoon languished in their shoebox under her bed for almost a year. Then one day, the little girl lost her sewing thimble under her bed. When she went to retrieve it, her hands drew out the shoebox, which of course she had completely forgotten.

When she opened the box, the little girl found that Time had not been kind to her projects. The glue had come off parts of her stuck on images. (That would happen quite often if you crammed A4-sized collages into a childsized shoebox). The little girl had quite a collection of colourful Washi tape, so she decided it would be a great idea to use them to tape her newspaper clippings back onto their backing paper. Alas, while she may have been creative, she was not the neatest of tapers. Nor did she think to use her scissors to cut the tape ends tidily.

The little girl’s cousin came to visit later that afternoon, so she decided that was a great opportunity to show off her artwork. The shoebox with the 36 papers was brought outside to the back porch, where the two girls sat on the swing admiring the collages.

Then it was time for dinner. Alas, the little girl was forgetful and left the 36 collages out on the porch swing when the two girls went indoors. Soon enough, a gust of wind picked up the papers and blew them all over the yard. Some landed under the newly watered rose bushes. Some ended up in muddy puddles. A few fetched up in the drain.

As usual, by the time dinner was over, the little girl and her cousin had quite forgotten about the 36 collages now lying scattered about the backyard. That night, there was a thunderstorm.

The next morning, the little girl’s mother noticed the collages outside, and gathered them up. She was about to throw the sodden pieces of paper away, most of them were by now torn around the edges. But the little girl saw and then remembered how much pleasure she had gotten from sharing them with her cousin, and implored her mother to save them, please.

So the little girl’s mother used her hair dryer on the papers to try to dry them. But that only made them curl up round the edges. She then used her clothes iron to iron them flat again. But that left singe marks on some of the paper.

Finally, the little girl’s mother sat her down and told her that the only way to salvage her artwork would be to scan them and save them to her computer, and then have them printed out on fresh new paper. That was the only way to preserve the newspaper cuttings, Washi tape, numbers and letters and playing card inserts. The little girl agreed, and asked if her mother could then perhaps shrink the artwork to the size of playing cards, so she could play with them the next time her cousin came to visit.

And so the Mongrel Lenormand was born.

True story, that. Well, not really. Just much more interesting when told that way ;). I actually redid most of the Altered Half-Tone Lenormand deck, as I wasn’t satisfied with the placement of the numbers and text, and also some of the images didn’t quite gel with me so I changed them. By the time I’d added more grunge and torn paper effects, it had turned into a different deck altogether. Hence the name the “Mongrel Lenormand”.

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Available soon on eBay and Etsy. Copyright AlyZen Moonshadow.

Posted from WordPress for Android.

http://www.alyzenmoonshadow.wix.com/alyzenmoonshadow

Trimaginator

Trimaginator is an App I stumbled upon recently. It’s available on both iOS and Android platforms.

Trimaginator for iOS

Trimaginator for Android

Here’s a video showing how it works:
http://vimeo.com/m/99873058

Trimaginator is the brainchild of Paul Ollivier. On the Trimaginator Facebook page, Paul says:

Make your pictures stand out from the same old thing that you typically post or share! Trimaginator allows you to unleash your creativity and turn your photos into unique and captivating works of art!

Just press one of the top right buttons for automatic point generation and tweak the result with your fingers by adding [ + ] or removing [ – ] points, or start from scratch [ x ] if you’re feeling wild!

Trimaginator also features different rendering styles that change the look of your triangles : how cool is that?

So I went and had a good old play with the App, just for fun and to see if it offered me anything new by way of creative ideas.

I had some photos of our Koi and Goldfish, that I hadn’t made any plans to use in any projects. So I figured this would be the ideal opportunity to utilise them.

Like Paul Ollivier suggested, I just pressed buttons at random and saved the results that I liked.

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What do you think? I love how well my Koi and Goldfish translate into geometric shapes. The App certainly has potential. Well, I’m off to experiment more with the + and – buttons, and the different filter effects.