And so, following on from Part I of “The Making Of the Moonshadow Lenormand” yesterday, here is Part II.
For those unfamiliar with Lenormand cartomancy, it’s basically a set of 36 cards, with or without playing card inserts. Some readers use the playing card inserts for further depth in their readings, for example to add nuance or to signify people other than the querent. Others regard the pips as a leftover and unneccesary effect from when the first Lenormand decks were created using actual piquet playing cards. Some modern decks do not even have the playing card pips.
The 36 cards, regardless of which artist or publisher, always contain the same archetypes. There are modern, whimsical artist decks with Halloween or Christmas themes, where the imagery is dark and spooky, or bright and festive, and where substitutions might occur…for example in a Halloween themed Lenormand deck, the 1st card, which is the Rider, might instead be The Headless Horseman. And for a Christmas themed Lenormand deck, the Rider may well be Father Christmas on his reindeer sleigh.
Here are the 36 cards in any traditional Lenormand deck, and their corresponding Archetypes:
Here’s an image showing Titania Hardie’s Fortune Cards (Lenormand style) and the 36 cards arranged in a Grand Tableau.
When I first embarked on this Project or Journey, I knew I would encounter a few snags along the way. One of them was finding the archetypal images to go with the cards. Some of the more mundane images, e.g house, tree, clouds, birds etc were easy enough to source via my Samsung Galaxy S4’s camera i.e by taking actual photos. Others were not so easy…you just don’t come across foxes, bears or storks in your everyday meanderings. Or scythes and whips either. And I’d have to travel far to get a snapshot of a real maritime tallship or a mountain.
That’s where Google, Wikimedia and the beautiful term “Public Domain” come into play. I set up folders on my S4 camera roll to house archetypal images that I found online that were in the public domain. This means that I can then utilise these images in my work, without fear of stealing someone else’s copyright to them, as the original copyright owners have already voluntarily relinquished their rights to the image, i.e gifted it to the world, or the copyright has expired, 70 years after the death of the original artist/photographer/copyright holder. For example, I found that the copyright to Beatrix Potter’s Peter Rabbit illustrations expired in January this year, 2014. Similarly, John Tenniel’s illustrations for Alice in Wonderland and others of the same era, expired years ago.
Anyhow, I managed to cobble together my 36 archetypal images, and so began the real work – using my S4 and Apps to create the imagery for each card.
Of which more in Part III. ;)
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