Category Archives: Art

My 2015 Fortune Cards Project

Last year I spent several months learning about the Lenormand system of cartomancy. I studied the archetypal images and their meanings, 2- and 3-card combinations, 9 card readings, and the Grand Tableau which utilises all 36 Lenormand cards. I bought a couple of excellent books on the subject:

1) The Essential Lenormand: Your Guide to Precise & Practical Fortunetelling https://www.amazon.co.uk/dp/0738736627/ref=cm_sw_r_awd_pI7Pub1PD29CG by Rana George

2) The Complete Lenormand Oracle Handbook: Reading the Language and Symbols of the Cards https://www.amazon.co.uk/dp/1620553252/ref=cm_sw_r_awd_.J7Pub087721E by Caitlin Matthews

I also bought several Lenormand decks, self-published and licensed, modern and vintage, to study their artwork and design.

I joined a vibrant Tarot & Oracle Card Collectors Group on Facebook, and engaged in interesting conversations about various different decks. I also joined a Lenormand Cards Study Group and one on Lenormand Cartomancy. I made new friends and learnt loads. These days, when you see me logged in on Facebook, I’m more often than not hanging out with my groupies.

Last year I created 10 Lenormand card decks. These can be found for sale on eBay and Etsy under the name AlyZen Moonshadow. It was an intriguing learning curve which covered several subjects at once – Lenormand, print-on-demand, a little bit of Photoshop (using templates), and the pros and cons of being a self-published cartomancy deck seller.

This year I’m also going to research how to get my creations licensed by established publishers.

I did start creating some Oracle cards last year, and wrote about them on my blog, but then I got involved in studying the Lenormand cards and went away with the fairies in that direction.

Now I’m ready to resume my Oracle Cards Project. Only it has evolved somewhat since last year. I’ve decided that, instead of one-word texts on each image, I’m going to write a short, clear phrase. Project No.1 for 2015 will be called “The Inspiration Deck”. Not so much Fortune Telling cards, more like cards containing affirmations and positive living philosophies. Something you can perhaps draw on a daily basis to give you a morale boost, or make you pause and ponder.

While creating my Lenormand cards last year, I built up quite an archive of public domain images and clip art. I can put these to good use in my “Inspiration Deck”. I’ll also be using in-App clip art and graphics, as well as my own photography.

Here is the first card I created. Bear in mind it’s still at an experimental stage and I have not finalised every aspect of it. It might even be that these end up as posters, postcards or even t-shirts instead of just divination cards.

I hope you like it and will continue to follow me on my mad armchair adventures.

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Art Abandonment : Rockingham Part II

So, yesterday The Kid and I went to the Rockingham foreshore and surreptitiously left some book and card packages around for people to find.

What we hadn’t counted on was that this was the long weekend of Australia Day (26th January), and, it being Summer, the foreshore would be FULL of people. It’s a popular destination for families, there are free BBQ stations dotted around the grassy park, and toilet facilities, cafés, bistros, fast food outlets, ice cream parlours, souvenir shops etc.

It was hard trying to blend into the crowd and not call attention to ourselves, pushing our bicycles through the park and leaving packages in the crooks of trees, on park benches and under public sculptures. But we did it, and celebrated afterwards with an ice cream (a Coke float or “Spider” for me) at Baskin Robbins.

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These Maori guys found the one we left on the bench behind where they were picnicking. It’s great to see people’s faces lighting up when they find out they’ve just found a free gift. Makes MY day! Actually, I think this is one with a deck of Lenormand cards attached, so they’d have had 2 pressies for their wife/girlfriend for Australia Day.

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Here’s one we left under a dolphin sculpture at the entrance of the foreshore.

I didn’t get to photograph all the drop-offs. Although most people were oblivious to our activities, there were others who looked at us curiously. (It’s very hard to be inconspicuous when you’re pushing 2 bicycles through a park and trying to avoid running over people on the grass!). The Kid said to me a couple of times “Just Drop and Run, Mum!” And so we did. Can’t help being shy!

I was glad I was able to tweak those Lenormand cards with the uneven borders. There was no way I could’ve sold them the way they were, or even after my “borderectomy” on them. So, by giving them away instead, I hope someone else gets to enjoy them for free. Hmmm…I think I’ll get some large sized cards printed next, with inspirational sayings on them, and maybe do an Easter Art Abandonment on the Rockingham Foreshore. Yes!

A new creative project: Steampunk Art

This just came in the post today, yippee!

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It’s Dover’s Steampunk Sourcebook, which I bought from The Book Depository (a great online bookseller, especially if you live in far flung places, as all their items come with Free Delivery as standard). This book comes with a CD-ROM, so I can load all the images therein onto my computer, for future reference. I’m already a fan of Dover Pictura, the division of Dover that specialises in selling royalty-free images for online download.

I’ve already amassed a collection of copyright free Steampunk images from the British Library’s archives. Add this to my arsenal, and a few other images from my collection of scrapbooking papers, and I should have the makings of a Steampunk Lenormand cards deck. Or even a Steampunk Oracle cards deck. Hmmm, I might even create some t-shirt designs or canvas art using these images. How exciting!

Here are a few photos showing the contents of the book, to whet your appetite.

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My Brush with Fame (or rather, Infamy)!

Every kid and kidult loves Lego, right? Me too. Until I discovered just how litigious they are as a company.

Nearly 5 years ago, when I first started out in my mobile photography art career, I put up my images for sale on Print On Demand sites such as Zazzle, RedBubble, Fine Art America, Society 6 and deviantArt. Over the years, many of those sites fell by the wayside, and today I’m only active on Society 6, and even that has slowed to a trickle as I explore other areas to showcase my creative output.

With RedBubble, I had not posted up anything new for over 3 years now. Imagine my surprise today when out of the blue, I received this email from them:

We have removed the following content from Redbubble as a result of having received a complaint from Lego System A/S, the claimed owner or licensee of related intellectual property, and in accordance with Redbubble’s IP/Publicity Rights Policy:

Lego the Octopus: http://www.redbubble.com/people/alyzen/works/7484841-lego-the-octopus
As you will be aware from our IP/Publicity Rights Policy, Redbubble requires a certain amount of information before it acts on such a complaint, including that:

the relevant content is specifically named;

the complaint came from the owner of the respective rights (or someone authorized to act on their behalf); and

they have a good faith belief that the use of the relevant content is not authorized by the content owner, its agent or the law.

If you believe that removal of the above content is the result of a mistake (for example, that you have authorization to use the relevant content from the content owner) or misidentification, you can send us a counter notice. Such counter notice must provide the following information:

an electronic or physical signature of the person authorized to act on behalf of the owner of the relevant matter;

a description of the content which we have removed, including the URL on which the content was located on the Redbubble site;

your address, telephone number, and email address;

a statement by you that you consent to the jurisdiction of the Federal District Court, San Francisco County, California, United States and that you will accept service of process from the person who provided notification described above or an agent of such person;

a statement by you that, under penalty of perjury, you have a good faith belief that the material was removed or disabled as a result of mistake or misidentification of the material to be removed or disabled;

If you would like to send a counter notice please email the required information above to dmca@redbubble.com.

Please note that in some circumstances, if the work does not comply with our User Agreement and/or IP/Publicity Rights Policy, we may not be able to send your counter notice on to the complainant, rather we may inform you at the time of receipt that we cannot reinstate the work. We may also request further information from you in order to determine whether the work can be reinstated.

However, you should be aware that in most circumstances we will inform the complainant that you have provided a counter notice, as well as provide the complainant with a copy of your counter notice, which will include your personal contact information. The complainant will have 14 days to bring legal action against you in the United States. After 14 days, if they do not bring legal action and you would like your content restored to the Redbubble site, you may contact us to request that we reinstate your work. Redbubble may restore the content at that time if it otherwise complies with our User Agreement and IP/Publicity Rights Policy.

Further information regarding Redbubble’s IP/Publicity Rights Policy and User Agreement can be found here:

https://help.redbubble.com/hc/en-us/articles/201579195

http://www.redbubble.com/agreement

Regards,

Redbubble Content Team

Because the image “Lego the Octopus” had been posted to RedBubble such a long while ago, at first I scratched my head trying to figure out WHY indeed I had named my artwork “Lego the Octopus”. I certainly would not have called it that to mislead anyone, or to gain any pecuniary advantage. I couldn’t just click on the link RedBubble had sent, as they had already removed the image from their site.

Then I remembered a family outing to Bunbury Dolphin Centre in 2011, and I also remembered their aquarium displays of fish, seahorses, starfish. And their fortune-telling octopus. WHO WAS NAMED “LEGO”. The Centre claimed that their Lego The Octopus could predict sports and talent competition outcomes as accurately as the famous Paul The Octopus with FIFA matches.

So, here is my response to RedBubble by email.

Dear Sir/Madam,

I refer to your email informing me that my image “Lego the Octopus” has been removed from RedBubble as a consequence of Lego the Company making a complaint.

Excerpt follows, for your own ease of reference:

“We have removed the following content from Redbubble as a result of having received a complaint from Lego System A/S, the claimed owner or licensee of related intellectual property, and in accordance with Redbubble’s IP/Publicity Rights Policy:

Lego the Octopus: http://www.redbubble.com/people/alyzen/works/7484841-lego-the-octopus

My response:

While I fully understand Lego the Company’s rights and desire to defend the use of its name, in my own defense, the image is of an octopus actually named “Lego”, and said octopus resides in Bunbury Dolphin Discovery Centre, Western Australia.

So, if Lego the Company wish to take this further, they should really be speaking to the good folks at Bunbury Dolphin Discovery Centre. As all I did was photograph their octopus that they had named “Lego”, and call it exactly what it is, “Lego the Octopus”. There was no malice or ill intent on my part, or any attempt to deceive or gain monetary benefit from it.

Here’s a link to where you and Lego the Company can find the real life “Lego the Octopus”. (I don’t know if that octopus is still alive and predicting soccer results, it’s been 4 years since I was at Bunbury).

https://www.radioinfo.com.au/news/lego-octopus-predict-australia%E2%80%99s-got-talent-winner-radio-west

I anticipate your response in due course.

Sincerely,

AlyZen Moonshadow
Mobile Photography Artist

Then I sat back and waited for a response. I received a standard acknowledgement from RedBubble within 15 minutes of sending my email.

An hour later, I received this email response from RedBubble:

Redbubble Content Team (Redbubble)
Jan 19, 16:51

Thank-you for contacting Redbubble.

As you have been made aware, Redbubble has moderated the content that was reported in accordance with our [IP/Publicity Rights Policy[(https://help.redbubble.com/hc/en-us/articles/201579195-Redbubble-IP-Publicity-Rights-Policy), as it was specifically named in a valid Notice and Takedown report received from Lego System A/S.

We have not explicitly said that the work does or does not infringe intellectual property or publicity rights, but we have a legal obligation to act on reports filed in accordance with our IP/Publicity Rights Policy where the content is specifically named.

Unfortunately, we are not always privy to the reasons that complainants’ submit notice and takedown reports or the specific reasons that they find each of the specified works a violation of their rights, nor can we presume to speak on their behalf. Please understand that Redbubble is not making any judgement on the work and as we are sure you are aware, this is why the counter notice provision exists in our IP/Publicity Rights Policy. Filing a counter notice is the most effective way to contact a complainant regarding their notice and takedown report.

You can do so by following the instructions in our initial email to you, or in our IP/Publicity Rights Policy.

Regards,
Redbubble Content Team

I’ve fired my shot. I’ve told them where I got the inspiration for the title “Lego the Octopus” from. And you know what?

I don’t care if the image has been removed from RedBubble permanently. I’m not wasting my time or energy going up against a multi-billion dollar company, for the sake of getting one image put back on a site that I don’t even frequent anymore. I won’t be filing that Counter Notice RedBubble so helpfully keeps suggesting to me. Life’s too short, and I could be spending my time better making more Art, so I will.

Some battles are won by simply not engaging in them.

Here is my last email to RedBubble:

Dear Sir/Madam,

Thank you for your standard reply. I shall not be filing a Counter Notice, because I have better things to do with my time than waste it going up against the brutal might of a multi-billion dollar corporation, only to win back the right to have an image of mine on your site. Especially when I no longer frequent your site as I used to 3-4 years ago.

That is not to say that RedBubble is not a good Print On Demand site, or to question the integrity of your policies. I simply mean that I have found other sites that better suit the requirements of my creative output, and that is where I am concentrating my efforts on. Should RedBubble offer items that are not found on competing sites, I will of course use your services again.

Yours sincerely,
AlyZen Moonshadow

Meanwhile, here are 2 more images of my (in)famous “Lego The Octopus”, that I managed to find online. These are from Fine Art America, another site that I don’t use anymore. Notice the artwork isn’t even entitled “Lego the Octopus”, but if I remember correctly, the tags would’ve contained those words. I wonder how long it will be before the mighty LEGO Corporation come after those images too…

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Teacups and China

I have a fascination for colourful teacups and china. I don’t quite know why, but today I’m going to try to sum it up.

(The following photos are curated from my Pinterest board “Teacups & China”).

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Here’s why I think a stack of teacups, especially vintage ones, is so appealing:

1) it’s the mix of patterns and colours
2) it’s the shapes and their juxtaposition against each other
3) it’s eye candy and appealing on a childish, nostalgic level
4) I especially love teacups with curly, ornate handles
5) if they have gilded handles, all the more sex appeal!
6) gilt around the edges of teacups imparts a sense of luxury
7) the photography has to be just right, and capture the light and ambience
8) a tower of teacups says “Yes, let’s live dangerously and take risks, for once!”
9) they don’t even have to be stacked, to look gorgeous
10) cracked or chipped china imparts character, saying “I’m a survivor”
11) a medley of teacups from different makers and eras is like a time capsule
12) they liven up any setting and provide a topic of conversation
13) mix-n-match teacups and saucers looks bohemian and arty
14) it’s not sacrilegious in the least to place expensive, vintage teacups with cheap, funky modern ones, china isn’t picky
15) everyone should have beauty in their lives, and for me it’s wonderful to be able to choose a cup and sip from it. I’m irreverent and use mine to drink coffee from, not tea.

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I don’t stop at just teacups. I love teapots, plates, platters, soup tureens, bowls, spoons, modern, traditional, kitschy, novelty, blue and white etc. The more higgledy piggledy the arrangement, the more insouciant and exhilarating it is.

Why can’t people be like this? All different, yet complementing each other.

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Australian Aboriginal Artists : Tarisse and Sarrita King

Tarisse and Sarrita King are sisters, Tarisse was born in 1986, Sarrita in 1988. Their father was a prominent Aboriginal artist himself, William King Jungala(1966-2007).

On Tarisse King: (from Kate Owen‘s Gallery site):

Tarisse is a daughter of well-known artist, William King Jungala. An urban Aboriginal artist, she was born on September 4th 1986 in Adelaide. She moved to Darwin to live with her mother at the age of nine, but returned to Adelaide in 2003 to pursue a career in hospitality. However, living with her father she was exposed to art and her engagement with it grew. She began painting her father’s stories including his five elements, earth images and other designs, which she learned and inherited from William, and as her involvement grew she began experimenting with her own techniques and designs.

Following her father’s passing in 2007, she continues to spend much of her time in the studio, alongside her sister Sarrita, who is also an emerging artist carrying their father’s legacy.

I found Sarrita King’s Facebook page, where she provides details about her life, what inspires her to create Aboriginal Art, and a list of exhibitions. Here’s an excerpt from her profile page:

Sarrita King was born in Adelaide, South Australia on the 5th March 1988. She is the younger sister to fellow artist, Tarisse King and daughter to the late highly regarded artist, William King Jungala (1966 – 2007).

Sarrita inherits her Australian Aboriginality from her father who was part of the Gurindji tribe from the Northern Territory. The Gurindji tribe came to public attention during the 1960s and 1970s when members employed by the Wave Hill cattle station led a landmark case which became the first successful land rights claim in Australia. It is this same strong sense of self and pride that Sarrita embodies and it fuels her drive to paint her totemic landscape.

Sarrita spent most of her youth growing up in Darwin in the Northern Territory. Not far from where her ancestors inhabited, it is here that her connection to her Aboriginality and subsequently the land was able to grow. Her exposure to the imperious weather and extreme landscape has provided the theme for her works of art, since she began painting at age 16. Rolling sand hills, cracking lightning and thunderstorms, torrential rain, fire, desert and tangled bush are all scathing environmental factors that shaped her forefather’s lives and also her own. Depicting these elements in her paintings, Sarrita provides a visual articulation of the earth’s language.

Stylistically, Sarrita utilises traditional Aboriginal techniques such as ‘dotting’ but also incorporates unorthodox techniques inherited from her late father, as well as self-developed practices. Her art is a fusion of the past, present and future and represents the next generation of artists who have been influenced by both their indigenous history, and current Western upbringing. Sarrita creates frenetic energy on the canvas with her Lightning series and searing heat with her Fire series. Her aesthetic has a universal appeal and provides an entry point for people to experience the power and uniqueness of the Australian landscape and its harsh climate. On a world scale, her depictions couldn’t be more seasonable and well-timed.

Sarrita now paints in Adelaide in a shared studio with her sister. She has been included in over 20 exhibitions, is represented in galleries in every Australian state, included in many high profile Australian and international art collections and been auctioned several times successfully through Paris’ Art Curial Auction house.
Sarrita is currently taking a hiatus from her Bachelor of Journalism at the University of South Australia to pursue her interest in digital media, specifically documentary making and focus on her art. Only at the age of 22, Sarrita King has many personal achievements but it is her desire to visually communicate her inspiration, the land, which keeps her ancestral narrative alive and provides a new way of looking back while looking forward.

I believe the information on both sisters may be out of date. Tarisse’s Facebook page indicates she is currently living in New Zealand. Whatever the case may be, the King sisters continue to collaborate on projects, as well as painting in their own distinctive styles.

Here are some examples of Tarisse King’s work: (Google Images)

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Here are some examples of Sarrita King’s work: (Google Images)

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Artist Inspiration : Yossi Kotler

The exuberant, vibrant artwork of Israeli artist Yossi Kotler jumped off the page at me. Well, it jumped off Saatchi Art’s screen onto my retina, screaming “Look at me! I’m so beautiful, you Have to share me with your readers!!”

And so here we are. Here’s the link to Saatchi Art’s page on this very talented artist, Yossi Kotler: http://www.saatchiart.com/yossikotlerart

And here’s a transcript from that page, in Yossi’s own words:

About Yossi Kotler
hello my name is yossi kotler i am an artist and a designer. graduated “wizo college of design” in haifa israel in graphic design, in the years 1988 – 1992. i have worked in the field of visual design as acreative director. i have achieved many awards in graphic and product design. some of my art work are in a private collections. i love to work with acrylic on canvas, oil pastel,ink,charcoal, computer- i love to make digital art as well. i get inspired by the internet and by the life around me. my artworks are very colorful and strong with allot of layers. i don’t thinks that i have one style because i am exploring all the time different style. i can be very accurate in the details and very free. it’s depend in what i want to achieve.

Education:
i cam to this world with unlimited ability of creativity and inspiration. i am drawing and painting and sculpturing since i was a kid .
graduated “wizo college of design” in Haifa Israel in graphic design, in the years 1988 – 1992.
i am a full time artists and a brand designer work in my studio.
using my creativity in many ways.

Events:
2003 – package design competition in Israel- first place award in the cosmetic & toiletry category.
2004 – package design competition in Israel- first place award in the cosmetic & toiletry category.
2005 – package design competition in Israel- first place award in the cosmetic & toiletry category.
2006 – package design competition in Israel- first place award in the cosmetic & toiletry category.
2007 – package design competition in Israel- first place award in the cosmetic & toiletry category.
2009 – package design competition in Israel- first place award in the cosmetic & toiletry category.

Exhibitions:
group exhibition- March 2013 in Tel Aviv

Just so you know what the fuss is all about, try some of Yossi’s works out for size here: (images curated from Saatchi Art and Google Images)

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You can also purchase Yossi’s artwork directly from the artist himself, from his Etsy shop.

Artist Inspiration : Larry Carlson

Unless you’ve been living under a coconut shell, chances are you would have at some time come across the psychedelic work of Larry Carlson. Yes…THAT artist who makes your brain go all trippy. Oh, and have you heard his music? Surreal is an understatement. Collages done the traditional, good old-fashioned way? Check! Digital photographic art? Check! Larry is a veritable powerhouse of creativity, as you will find out.

Here’s what Larry says about his art on his own site:

G4Tech TV called him “The Salvador Dali of the Next Century”, and High Times magazine labeled him an “Artistic Mastermind”. Larry Carlson is a legendary visionary  artist who utilizes a vast range of mediums to create mind boggling art that will make you think twice about how you see the world. He is a modern day renaissance man with revolutionary work that pushes the possibilities for consciousness exploration within contemporary art. Few artists can rival him in terms of innovation, vision, talent, and high-yield experimentation.
His work spans a variety of forms including photography, film making, web-art, collage painting, digital art, animation, video-art, text-art, and sound design. What ever art form he’s working in Carlson’s greatest strength is in artfully depicting the mystical dimensions of consciousness, coaxing us into sweet spiritualized epiphanies one moment then plunging us into completely bizarre surreal frenzies the next. His artwork fuses together aspects of mysticism, surrealism, psychedelia and the technological resulting in sublime juxtapositions that can totally bend one’s perception.
A pioneer in experimental multimedia web-art, he first started exhibiting his artwork online in 1997. In 2000 Carlson published the legendary art web sites Virtual OM and LarryCarlson.com which featured his original full screen psychotropic entertainment.
Larry Carlson has been featured in magazines like Vice, Juxtapoz, High Times, Cracked, NY Arts, Beautiful/Decay, and US weekly. International newspapers like Montreal’s Mirror, Istanbul’s Vatan News, and London’s Guardian, have done features on his unique awe-inspiring art.
He has exhibited his collage artwork, digital photo artwork, and video art in the U.S., Japan, Canada, Sweden, Brazil, France, the U.K.,  India, and Germany. The Museum of Modern Art in New York City exhibited some of his handmade collage art books in the show Book/Shelf. His movies have been screened at  The Paço das Artes Museum in San Palo, Brazil, the Brattle Theater in Boston, Alex Grey’s COSM gallery in New York City,  A.T.A. in San Francisco, and other galleries and theaters around the world.
Larry Carlson creates his own original music and soundtracks and so far has released eight albums. In 2008, Portland, Oregon’s KBOO 90.7 fm hosted two Larry Carlson music specials featuring his surreal soundtracks.
Larry Carlson graduated from Cooper Union School of Art in New York City, where he studied painting and video-art. He currently lives and works in his studio in the green mountains of Vermont.

It’s worth checking out Larry’s site, which is very comprehensive and contains a plethora of examples of his work, all neatly categorised. Here are just a few of my favourite ones:

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What interests me most about Any Artist’s work is their process, techniques and workflow, and also what goes on inside their heads. Luckily for us all, Larry is very forthcoming in this regard, and his site even has a Frequently Asked Questions section, which I quote verbatim here for your convenience:

FREQUENTLY ASKED QUESTIONS

(taken verbatim from http://www.larrycarlson.com)

What is your process for making the images?

Sometimes I see a clear vision in my mind’s eye of the image I want to make and then I set out and take the photos and do the  computer effects to make it happen. Most of the time I just experiment and have fun with combinations of filters, images, and 3-D rendering. I do a lot of the work with the image editing program Photoshop. I also use 3-D rendering programs to make computer generated objects and settings to use in my work.

I always have a lot of unfinished works on my hard drive that I work on for a while and then put away until the inspiration hits me to work on it again. So most of my finished pieces are the result of months of on and off work. I follow my own vision and try to make something new everyday. Even if I dont feel like working, I still work on my art daily, because it helps me stay focused and continue to make new fresh work.

I am mostly left-handed and use an electronic pen on a tablet to actually draw and paint on my digital images. Sometimes I also use a mouse with my right hand at the same time.

As well as using computers to make images I also make old fashion cut and paste collages. This really influences the style of my digital work, as it helps me use Photoshop in a “real hands on” way, and not be dependent on digital effects only. I strive to have my work describe life as positive, elusive, and rich with wonder and possibility.

What inspires your work?

I let intuition and improvisation be the main guiding forces in the creation of my art. Many of the ideas for my art come to me in dreams and visions, so i spend a lot of time cultivating a mystical state of mind. I often go out in nature, hiking, camping and taking photos, being a part of the mother nature system has a deep influence on my work.

Do you take your own photos?

Yes. I take photos with a digital camera that I use in my work. Sometimes I do shoots in a studio, other times I take shots outdoors. I retouch, fix up, composite, and alter the photos in Photoshop. In the city or up in the mountains, its always an adventure getting new shots to use in my work.

How do you create your collage artwork?

With glue and scissors, I take a tiny little bit of something from a piece and put it together with a lot of other pieces and make a distinct whole. The result is a juxtaposition of the familiar and the fantastical. I hunt for old books and magazines for material to use and I print out images from the computer. I cut and splice these samples into new formations that reconstruct culturally constructed meaning of the original samples, opening up the images to a multiplicity of interpretations. I am inspired by the infinite permutations of visual images which parallel the infinite nature of the imagination.

How do you make the soundtracks?

Like my visual artwork it’s a collage process. I make my soundtracks by mixing and processing sound samples on the computer. I use several different sound programs to put the tracks together. I collage samples from everywhere and anywhere, the TV, the web, radio, phone messages, you-tube videos, turntables and musical instruments. Sometimes I use programs to generate sounds to mix in the work. I also play around with the KORG MS2000, a really cool Pink Floydish sounding synthesizer.I even like to mix in sounds I get from an ol’ school ATARI 2600 console. All my soundtracks are available as a free mp3 downloads. And I have a SoundCloud music page and an iLike music fan page.

Where do you exhibit your work?

I show different forms of art, like interactive web sites art, video installations, large high quality prints of digital art, collage paintings and handmade collage books. Recently my movies were presented at Alex Grey’s COSM gallery, and were publicly displayed on a pair of outdoor video screens at Harvard. Last year, the Museum of Modern Art in New York City showed some collage art books I collaborated on in the show Book/Shelf. In 2002, The Paço das Artes Museum in San Palo Brazil exhibited a version of my web site LARRYCARLSON.COM projected on a wall in a gallery where visitors could interact with it. In Stockholm, Sweden, Galleri Loyal has exhibited my collage paintings. My movies have been screened in festivals around the world in places like New York City, Austin,Texas, France, Canada and Germany. And I have had many exhibitions of my digital images at festivals and shows around the world.

How do you do your live VJ shows?

Basically I mix a collage of videos and animations in much the same way that DJs mix records. The techniques and equipment are different then a DJ, but the basic principles are the same (eg selecting, cross fading, scratching, cutting, sampling to the rhythm). I burn my own custom made DVDs and much of my VJing now is me mixing content on several DVD players through a video mixer device to the rhythm of the music. As well as the DVD players I also use a VJ software program to mix and manipulate digital video clips. In the past I have played live on tour with musical groups like The Kottonmouth Kings, and at major electronic music events.

How and when did you get into computers?

My early experiences with computers begin when I was a kid, messing with the old Commodore 64 home computer. Later on in college I did a big experimental video collage piece with the Amiga video editing system as well as experiments with Adobe Premiere. I spent a lot of time creating digital images with Photoshop. During this time i started making music with the computer and more then any thing I wanted people too see this cool stuff, so publishing on the net became a must. I quickly learned how to make web pages and my early web sites were online galleries of my digital images. So by the time Flash came out , I was ready to really rock the system! After having spent years of exploring so many different fields of computer art, now its all kind of melting together into one “multimedia” experience.

Did you go to school to learn how to do this?

I  graduated from Cooper Union School of Art in New York City, where I studied painting and video-art. A lot of the artwork I do now, I learned on my own. I love learning new programs and experimenting with them to make something new.

How can people stay updated on what your doing?

I am active on TumblrFacebook and Twitter and post new work there often. Connect, add your feedback, and stay updated on new work that is posted daily.

 

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http://www.alyzenmoonshadow.wix.com/alyzenmoonshadow

Artist Inspiration : Mark Oliver

Mark Oliver aka the “Litterbug” creates the weirdest insects from recycled materials. Check out his site here.

I first saw Mark’s work on Pinterest. This long vertical panoramic image, specifically. Use your zoom to see the marvellous details of his creations.

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Excerpt from Mark’s website, which explains why and how he does what he does:
A childhood fascination with his father’s hoard of electrical and engineering components, has held a wonderful influence over the 20 years of Mark’s illustration and art work. Robots, industrial architecture and mechanics are consistent themes (boyish treasures) and collage is a recurring form that literally finds him layering, glueing and stitching all types of work.

Urban Entomology is Mark’s (Post Modern) bow of respect to the Victorian tradition of insect collecting, where the decaying and disposed – the ‘litter’ of modernity, is assembled to create illusory collage. He intends the work to fascinate from a distance, and reveal humour and beautiful art upon closer inspection.

Mark painstakingly crafts each insect, and in opposition to the term ‘litter’ that he employs, much time and energy are given to sourcing interesting materials. The illusion is most powerful when a collection of Litter Bugs are hung together – Wunderkabinett!

The bugs have been exhibited internationally, and sold through various galleries across the UK, as well as through direct contact with the artist.

Mark is a well established, multi award winning Illustrator for print, TV and children’s books, and a selection of his illustrations can be seen at olly.net

Here are a few more examples of Mark’s work. One more for my ever-growing Wishlist of covetable Art!

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#JeSuisCharlie

Please feel free to share this image and stand with our French brothers and sisters as they say “We Are Not Afraid” to terrorists and terrorism.

There is no logic to any attacks against innocent human lives. Anyone who does so is either immoral, ignorant, crazy or evil. Or all of the above.

Parents, please teach your children right from wrong. Logic, common sense and reasoning should prevail over beliefs, herd mentality and bigotry. Show them that Love always triumphs over hate, Good over evil, and lead them up the right path. This world has got to change, and it has to start with each and every one of us. Please don’t be bystanders. Bystanders become victims. Stand up and speak out for the greater good.

#JeSuisCharlie

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