Category Archives: iPhoneography

Going For Gold

When I was first starting out in mobile photography, on an Apple iPhone 3, I read about the Golden Hour and decided the magical sunlight quality that we get here Western Australia was too good to pass up on. I am a firm believer that different countries have different qualities of light, and some offer better photo opportunities than others. That may be why I’m drawn to the idea of living in Tuscany in Italy.

In Western Australia, our sunsets are often quite spectacular, and the dusky pinks and oranges often linger in the sky for nearly an hour after the sun has gone to bed.

Wikipedia defines the Golden Hour thus:

In photography, the Golden Hour (sometimes known as Magic Hour, especially in cinematography) is a period shortly after sunrise or before sunset during which daylight is redder and softer compared to when the Sun is higher in the sky.

It’s that time of day when everything is covered in a soft shimmer of gold, and photos often turn out magical, even if the subject is mundane or pedestrian. Mother Nature’s gifts to the human eye.

Even to this day, nearly 5 years after picking up my first smartphone camera, I still like taking photos at around sunset.

These days, you don’t really need the Golden Hour or Magic Hour to get the same effects in photography. There are photography Apps and software that will allow you to recreate and/or add the same effects from within your own home. After-effects, so to speak. You can add bokeh, sparkles, light trails, firefly glows, the list is endless. With some imagination, you can create the most awesome photos.

Having said that, there are still some happy flukes of Nature that allow great photos to be developed without the need for any external, human or technological assistance. Right place, right time, right eye for detail, right capture.

Here are some of my favourite images from Pinterest, that celebrate not only the Golden Hour/Magic Hour, but also the colour Gold in its myriad shades and intensities.

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Interview by Kess InHouse – AlyZen Moonshadow

I was honoured recently to be interviewed by Sara Gupta (now Sara O’Neill), co-founder of Kess InHouse designs. Kess were kind enough to take a chance on me and offer me an Art Licensing contract for my mobile photography art. I have a number of pieces with them, and continue to submit more. Kess’s products include duvet covers, pillow cases, shower curtains, fleece blankets, place mats, desk mats, cutting boards, rugs and pet products, including dog beds, pet bandannas, feeding mats and bowls.

Answering Sara’s questions was an interesting exercise in retrospection. I never realised how far I’d evolved from the starry-eyed ingenue behind my first iPhone in 2010.  It was a walk down Memory Lane for me, and reminded me of my various experiments and love affairs with different Apps, filters and effects. Has it really been 4 years since I started my mobile photography adventures?

Here’s the link to the interview,
http://www.kessinhouseblog.com/artist-spotlight-alyzen-moonshadow/

And here’s the transcript:

KIH:  Your artwork has a fun blend of mobile phone photography and graphic design flair.  When did you discover your passion for photo manipulation?

AlyZen Moonshadow: I bought my first iPhone 3 in 2010, shortly before I emigrated from Ireland to Australia. Whilst job-hunting in Australia, I decided to experiment with photo editing on my iPhone. I started out with some Apps for Lomographic effects, then got into textures and grunge, and the whole thing snowballed from there. I practised a lot in the early days, averaging between 5-10 manipulated images a day.  The more I practised, the better I got, and also the more selective about effects and filters. In 2012 I discovered some graphic design-type Apps, and for a while I was really into Swiss-style graphics. I even designed some mock CD album covers using these, and some t-shirts. In the same year, I switched from the iPhone to a Samsung Galaxy S3, and discovered Android Apps. These days I use my Samsung Galaxy S4 and my iPad 2 for my photo manipulations, so I really have the best of both worlds.  

KIH:  Your pieces are very colorful and use unique color pallettes.  How do you find color effects your art pieces and how do you develop color choices while making a new composition?

AlyZen Moonshadow: I usually start by uploading a photo to an image editing App on my Samsung Galaxy S4, then just playing around with various filters and effects. When I find one that appeals to me, or that I think merits further processing, I then move on to the next step, which is finding other elements to add to the image. Sometimes if I’m not satisfied with the colour scheme, I will edit it again to change the hue or saturation, until I’m happy with the result. I went through a brief phase early on in 2011 when I tried faded, vintage, old postcard styles, but found I’m more drawn towards bright, vibrant colours. This may come from my love of flowers in natural surroundings. If I have a favourite colour, it would be turquoise. Whenever I find a filter that gives me the colour turquoise, I try my best to keep it in the final edit. I like colours that are translucent rather than matte, so whenever possible I try to create my pieces with a sense of depth in them. I also like an element of randomness in my work. I have a folder of colourfield backgrounds that I created using photos and a very simple Android App called “Impressionist Fingerpaint”, which gives me the colours I need. It’s perfect for giving me 2 things – a sense of depth and translucency, and the element of randomness when blended with other images.

KIH:  Your latest collection of art pieces showcase stacked teacups as an homage to Alice in Wonderland.  Where did your interest in this subject spark?

AlyZen Moonshadow: I’ve always been fond of Alice in Wonderland since I was a little girl, and I got the idea of stacked teacups from surfing Pinterest online. I had a couple of teacups and saucers lying around, and some real and silk flowers, and I posed them together and edited a number of images. The flowers soon fell by the wayside, as I decided the teacups and saucers made very interesting subjects in themselves. I went through a phase buying vintage teacups and saucers on Etsy, then stacking them up higgledy piggledy for staged photoshoots. I had the idea of creating my own Mad Hatter’s Tea Party (I spell my series The Madhatter’s Teaparty), so an entire series of 100 images was born in 2012.

KIH:  What is your favorite piece (on KESS)? How did you develop the composition?

AlyZen Moonshadow: It would have to be images from my Madhatter’s Teaparty. For the photo manipulations, I used predominantly Photoshop Touch, especially the “Difference” filter to bring out the colours and to introduce an element of serendipity, as I was never sure what the results would be using that filter. Before Kess InHouse found me and my Madhatter’s Teaparty, I’d printed 35 of the images onto stretched A3 canvasses, varnished and all…in case I ever held an Art exhibition. I like to think that Alice herself would’ve been proud of my teacups!

KIH:  Your artistic process generally starts from your mobile phone.  What do you enjoy the most about utilizing cell phone cameras and applications when creating your artwork.

AlyZen Moonshadow: I think the best part is the portability of it all. I have my entire Studio in the palm of my hand, literally. No expensive paints or equipment to buy, no messy paintbrushes, no splatters on the carpet, no clearing or cleaning up to do. If I make a mistake, or if I don’t like an effect, there’s the handy Undo button, or even in extreme cases, the Delete button. I can transfer my work between my Samsung Galaxy S4 and my iPad2, or even to my desktop Mac for resizing. I can work almost anywhere, anytime – on the bus, on the train, while waiting for my coffee to percolate. Every now and then I download an App and test it out; if it adds anything to my creative process, I keep it and use it. If not, I uninstall it. Some of my fellow mobile photographers like the idea of having thousands of Apps to utilise, and bemoan the fact that the Android platform does not have half as many Apps as Apple iOS. However, my personal view is that in reality, you only need a dozen or so decent Apps to be able to create a wide variety of effects. The magic is in finding the right combination of effects. Sometimes less really is more.

KIH: Many of your pieces have abstract textures and psychedelic imagry to build up the subjects of the piece.  Where did you pick up this artistic style and what other artists made an impact on your work?

AlyZen Moonshadow: Colour is important to me, followed closely by depth and texture. I like to introduce an element of the surreal into some of my pieces. An early series that I created in 2011 is titled “Dalienutopia” and is based around photos of the Baigup Wetlands near where I used to live in Perth, Western Australia. The title is a combination of my homage to the artist Dali, and the words Alien and Utopia…and the images are surreal and weird. Another series titled “Surrealism” in 2012 came from when I was experimenting with strange objects and juxtapositions. I learnt about Dali and his contemporaries funnily enough in Music History when I was a student at college, and the ideas just stayed with me. Another artist that inspire me is Georgia O’Keeffe, you can see her influence in my photo manipulations of flowers. When I was creating my flower photographs, some friends told me my images reminded them of Georgia O’Keeffe’s paintings.

KIH:  Where do you do most of your work?

AlyZen Moonshadow: My trusty workhorse, the Samsung Galaxy S4, is rarely out of my hands, and it is also my portable Studio. So basically, I can and do work almost anywhere. For printing purposes, I have my printers (an ink-guzzling Epson Artisan 1430 and a mellow Canon Pixma MX870) in the spareroom/storeroom, which during the summer months is shared with an ongoing succession of baby Japanese Quails, that I incubate, breed and sell. The room is too small for a proper worktable, so I simply spread butcher paper over the carpet on the floor, lay out my prints on that, and do any gluing, varnishing, etc right there. It’s easy enough to tidy away again afterwards. Someday I hope to have a traditional gypsy caravan installed in my front garden, where things can be more permanent.

Couple in Love(This is my “Couple in Love” image, available on Kess inHouse here)

Playing with Diana

Haha…bet that made you wonder who Diana is and what sort of play I meant. Wink, wink!

Since we are in polite company, I shall resist the temptation to make salacious remarks and put my double entendres away. (I’m sure there’s meant to be a comma in there somewhere, oh there you are 😄).

The “Diana” in question here is not a person but a camera. A cheap plastic camera made in Hong Kong in the 1960s, which caught the imagination of enthusiasts even after being discontinued, so much so that there has been a resurgence in its popularity and a renaissance in its production. To own an original Diana camera today is a sign of enthusiasm for photographic nostalgia (not to mention money). Luckily, because modern-day Dianas are easily available, you can get your dirty hands on a new one for less than $100.

Yes, it’s delightfully analogue! It even uses Film! It’s untouched by Apple or Android, it doesn’t know what an App is! Actually, that’s not quite true true…because, even though the Diana remains analogue, and relies on film rolls (what are those, I hear some of you ask), there are many websites and online forums devoted to Diana photography, and there are also Apps showcasing Diana cameras and other retro plastic cameras.

Personally, my introduction to mobile photography came about via Lomography, or lo-fi photography from the likes of the Diana and other plastic cameras. I remember playing with my iPhone 3 back in 2010, and discovering Apps with Lomographic filters and effects. And just like that, I was hooked. I didn’t go as far as to buy a modern Diana camera, though they were easily available online on eBay and at retro shops such as Pigeonhole in Australia. What put me off was the fact that the camera relied on actual film, which needed processing at a camera shop, and that meant trips to the shops, which meant money to be spent on processing and on film. Do you know how hard it is these days to even find analogue film? And don’t forget to factor in the cost of processing film. Also, with me being digital on the iPhone, I could see at a glance whether a photo would be retained or simply deleted from my camera roll, and I could choose which photos to develop. Not so with the Diana, where you don’t get to see what your shots look like, before they are developed.

Having said that, today’s Diana offers pinhole functionality, where you basically remove the lens and use a pinhole filter instead. The resulting image is captured onto the film. This makes for an array of interesting effects such as blurred images, colour bleeds, double exposures, haloes and strange blobs. Very retro chic indeed. Hmmm…maybe I should get a Diana after all, just for this function…or I’m sure there’s an App for that, right?

I downloaded an App the other day called aptly enough, “Diana Photo“, which is happily available both on Android and Apple iOS. The user interface is simple enough – you simply load up 2 photos from your smartphone, then choose what effects you want to use for blending them. Now, this is different from standard photo editing blend modes (screen, difference, multiply, overlay etc). You can’t tweak any of the parameters, so it really is pot luck whether a blend works or not. Here’s a screenshot of the user interface:

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Yes, it’s all in square format. Instagrammers will love this App.

Here are the different blends available on Diana Photo. There are 21 in total (sorry, they wouldn’t fit on just one screenshot):

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I was just playing with this App when it struck me that these “accidental” double exposures were beautiful in their own right, and it would be a waste not to to create a Lenormand divination card deck using this App.

And so I have. The “Diana Lenormand” by AlyZen Moonshadow is now in production as I write this. When I get the printed copy I will share the results with you all.

Meanwhile, here are some examples of the type of images the Diana Photo App produced:

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Imaginary Pursuits Part 2

Yesterday, I shared images and descriptions of several of my CD album cover mock-ups.

Here are the rest of them. In 2015 I shall be creating another series of album cover mock-ups. For fun, and because I can LOL.

image I saw these birds sitting on telephone wires early one morning, and they reminded me of musical notes on manuscript paper. Hence the title “Dawn Chorus”.

image This one was inspired by a visit to the Art Gallery on Western Australia. The poor puppet was squished into a display cube, perfect for my CD album cover.

image This was actually a giant shoe at an exhibition in Perth. I decided it was too good to pass up on.

image I seemed to like telephone/telegraph poles and lines a lot. The pole, line and tree are real, the “struck by lightning effect” is actually from a photo I took of an abstract painting.

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Enough said!

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The Griffin came from an exhibition
I decided it was too Harry Potter to pass up on, hence the title.

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The Orang Utan image came from the Taiping Zoo in Malaysia. I simply transported him digitally to the Great Eastern Highway, Perth, Western Australia.

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These socks were tied to chainlink fences outside the derelict Guildford Hotel in Guildford, to protest the Council’s blocking of the hotel owners’ efforts to repair and restore the building to its former glory, after its roof was blown off in a storm several years ago.

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The Moon image is from an App, I simply used it to illumimate and contrast with the branches of a cherry blossom tree.

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Now this one Really became a true-to-life CD album cover. It was for hubby’s electronic music, under his name ElectroCelt. I had fun creating this, using the Apps “Deco Sketch” and “Phonto”.

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Imaginary Pursuits Part 1

Sometime back in 2011-2012 I created several CD album cover mock-ups. Partly for fun and also partly in preparation for hubby ElectroCelt’s own music production…in case he was ready to release his music as an album anytime.

I had a lot of fun creating my mock-ups, and I think in 2015 it’s time, perhaps, to make up a few more mock album covers.

Anyhow, I never really got around to explaining the images behind the mock-ups. And now I will. So, without further ado, here are some of my personal favourites from my collection. (These were done on my old iPhone 4, so it will be interesting to see what I can do with my new Samsung Note 4 next year).

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I loved mushroom-hunting when I lived in Spain. These 2 common mushrooms were found near my kid’s school in Australia, the sight of them brought back happy memories. So I thought I’d immortalise them with a trippy, almost 3-D effect. The title “Underground Empire” actually relates to the fact that mushrooms and other fungi first grow as an intricate system called mycelium under the earth, and what we see above ground and eat are actually its fruit.

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I spotted this very Australian bird, the kookaburra, sitting on a telephone wire, and just couldn’t pass up on the chance to create some puns. See how many plays on words you can spot here.

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Mahogany Creek is the name of an actual place, somewhere near the township of Mundaring, along the Great Eastern Highway out of Midland near Perth, Western Australia. It was autumn when we drove through it one year, so I thought it fitting to create an autumn-themed CD album cover.

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With this one it was the huge billowy clouds that inspired me. Hubby liked the title so much he has actually named a musical track of his after it.

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I was inspired to create this after visiting an exhibition about scientist Nikola Tesla in the city.

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I had several dozen images of cemetery statues on my, which I processed using predominantly the App Snapseed’s grunge and vintage filters. This is one of them. (Yes, I am susceptible to lurking about in cemeteries LOL).

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The tree-house was from a visit to Malaysia to see my ailing grandma in 2011. The plane was from the airport. I put the two together and named it “Leaving The Nest”, which is essentially what I did back in 1992 when I left Malaysia to study in England.

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This is a composite photo of 2 images from the movie “Legion”, which I shot on screen. I liked how they appeared to fit together.

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This was a fun one to create. The rows of bins were from an outdoor festival we’d been to. I just added the gore and suggestive title.

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This big tree, seen on one of our road trips along the coast, was the inspiration. Silver Gum and Paper Bark are 2 species of Australian gumtrees.

More to come in tomorrow’s post.😄

FREEBIES! When PicsArt met Pixlr Express

I’d originally intended to use some geometrical backgrounds found in the app PicsArt, along with geometrical effects found in the app Pixlr Express, as the backdrop of a new Lenormand project. However, these backgrounds took on a life of their own and proved too distracting and so that idea had to be shelved.

Not wanting to just let the images go to waste, though, I’ve decided to share them here with you. All I’ve done is blend the PicsArt backgrounds with some colourfield backgrounds I created, or with other random images I’d created in the past. Remember, these were just building blocks for a project that got shelved.

Feel free to save them perhaps as your smartphone’s wallpaper. Enjoy!

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P/s: I’ve since created my Le Geometrical Lenormand deck, however utilising only the effects found in Pixlr Express.

App Review: Grungetastic by Jixipix

Jixipix the developers have a large stable of photo editing Apps available both on iOS and Android. For smartphones, they started on iOS and have now made most but not all those Apps available on Android too. I first came across Jixipix back in 2011, when I was starting out as an iPhoneographer. Then I switched to Android and didn’t have access to their Apps anymore.

The snapshot below shows Jixipix’s webpage. Note the long list of Apps down the left side. Available on PC, Mac AND smartphones and tablets too. Heaven!

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I’m happy to report that my love affair with the likes of Grungetastic, Moku Hanga, Artista Oil etc has been rekindled on my Samsung Galaxy S4.

Only recently I was casting about for an App that had grunge and texture filter effects, and when I came across my old flame Grungetastic, it prompted me to take a Lenormand deck I’d just created, and app the hell out of those images until I had another set of cards – a darker, edgier, grungier deck. I loved the experience of playing with that App.

So today I’m going to show you just a few things Grungetastic is capable of doing. Here’s Jixipix’s own blurb about Grungetastic:

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Okay, now for some hands-on. I took this photo of a red Chinese door with a lion’s head knocker. When you first open up Grungetastic on your smartphone (this post is only about the smartphone versions of the App, not the desktop version), this is the user interface you get:

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Pretty empty, huh? I loaded up my red door photo, and the App churned away merrily and gave me a random grunged image, for starters:

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Notice how the user interface (UI) has opened up more options. These are so you can tweak the effects by selecting different filters, colours and parameters. If you’re feeling lazy, or need a kickstart to start up those creative juices, hit the dice at the top right-hand corner. Grungetastic will randomly generate another grunged-up pic for you. I like to use the dice, and when I get a look that I like, I then use the controls for finetuning.

I clicked on the icon at the far right, and got this set of background “paper” textures. 39 in all. I selected the very last one.
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You can also change the tint of the grunge. Here it’s magenta. But let’s change it:

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Now it’s a bright turquoise. See the difference?

The second icon in from the right gives you a variety of borders:

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These are also tweakable, using sliders:
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The App offers 2 main grunge overlays, meaning you can layer one on top of the other. Working from the right side in, using Grunge 2:

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Remember, the presets for Grunge 1 and 2 are the same. But there ARE 108 filter effects, so the combination is mindboggling. After selecting the filter and strength for Grunge 2 above, I went on to do similar for Grunge 1:

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Notice how the two grunge layers are now added together. Unfortunately there isn’t a way to select a different colour of grunge for both Grunge 1 and Grunge 2 filters. However, there is a way to cheat and bring out flashes of colour, and that’s by utilising the paint palette icon, third from the left, to change the colour of the main image. I could go back to the first icon on the right and change the turquoise to another colour, but I like how it reminds me of bronze patina. By tweaking the strength or threshold of this paint palette icon, I can bring forward or recede certain colours of the main photo. You’ll need to experiment with this yourself.

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So here I’ve simply changed the main colour of the door from red to yellow. It certainly makes that door look old and rusty.

Here are some shots of randomly generated Grungetastic results on the same photo, using only the dice function:

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Right, I’m off to play some more with this great App!

Posted from WordPress for Android.

http://www.alyzenmoonshadow.wix.com/alyzenmoonshadow

Pit Bull Art

Photo Artista Oil is an App by Jixipix, available on all platforms (computer, iOS and Android). You don’t have to know how to wield a paintbrush, this App will turn your everyday photos into classical works of art with a few simple pushes of the button.

What I love about Jixipix is how the developers utilise a uniform user interface across most, if not all, of their Apps. If you have already experienced working with one of their Apps, you already know how to use their other Apps.

I woke up one morning and decided on a whim that I’d love to design and wear a t-shirt with my pit bull Shelagh’s photo on it. Perhaps with a funky slogan extolling the virtues of pit bulls. To this end, I’ve been experimenting with Photo Artista Oil. If this works out, I’ll be putting up my designs on my Society 6, Red Bubble and Etsy store pages.

Here are some of the results so far. Enjoy!

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This is the original photo of Shelagh.

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I used Repix to paint out the backgrlund and foreground. I used my favourite brush here – paint drips.

Then, I ran the image through Photo Artista Oil . Here then are several incarnations of Shelagh.

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Posted from WordPress for Android.

http://www.alyzenmoonshadow.wix.com/alyzenmoonshadow

RETROSPECTIVE : DALIENUTOPIA

Another of my favourite mobile photography themes is Surrealism. Back in April 2011, when I first discovered the Baigup Wetlands just across the river Swan from where we were living in Ascot then, I devoted an entire series of iPhone photographs to the weird and wonderful Australian gumtrees in that swamp, as well as in the reserve on our own side of the river.  I even self-published my first Blurb book, titled “DALIENUTOPIA“, a play on the words “Dali”, “Alien” and “Utopia”. If you like it, please buy a copy!

Here is the link to my DALIENUTOPIA, and here are some of the images from that Series. All photos taken and edited using an iPhone 4. (I’m so happy to have found my images on my external hard-drive. It’s very difficult to find anything there, as I wasn’t terribly organised then and things would be filed willy nilly without a care for chronological order, or titles. Consider this a Retrospective of my mobile photography career!)

Before you ask, Yes, I DID spend a lot of my time ankle or even knee deep in mud for the sake of my Art :-).

Dalienutopia 1

Dalienutopia 2

Dalienutopia 3

Dalienutopia 5

Dalienutopia 6

Dalienutopia 8

Dalienutopia 13

Dalienutopia 19

Dalienutopia 22

Dalienutopia 26

Dalienutopia 27

Dalienutopia 28

Dalienutopia 29

Dalienutopia 31

Dalienutopia 32

Dalienutopia 33

Dalienutopia 35

Dalienutopia 42

Dalienutopia 49

Dalienutopia 52

Dalienutopia 57

Dalienutopia 59

Dalienutopia 65

Dalienutopia 78

Dalienutopia 91

Dalienutopia 92

Dalienutopia 100

Dalienutopia 108

 

 

 

RETROSPECTIVE : SURREALISM

I do love a bit of Surrealism in my photography. Back when I was on the iPhone 3 and 4, in 2012, I created quite a few Surreal images. I can’t for the life of me remember what my favourite iOS Apps were for creating these effects, now that I’m no longer on an iPhone. (I believe FilterMania2 by Dropico was one of them). But I sure do remember that it was a lot of fun creating these wild and wacky images and making people guess what they represented.

Anyway, I’ve found some of my favourite surreal images from 2012 on my external hard-drive. Been having a bit of a trip down Nostalgia Lane lately lol. (In case you’re wondering, yes, I did grow a box of mushrooms, and many of the fun guys made it into my photos LOL). Enjoy!

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