Category Archives: Mobile Photography Art

The Making of the “Moonshadow Lenormand”: Part IV

Thank you for following my Lenormand Project so far. I had fun creating the cards, and also sharing the process with you all too. :)

Here then are the first 18 cards from the Moonshadow Lenormand:

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This will help with the meanings:

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The “Moonshadow Lenormand” is available now on my eBay and Etsy shops:

http://m.ebay.com.au/itm/261630354440

https://www.etsy.com/listing/207677660/the-moonshadow-lenormand-card-deck-by

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The Making of the “Moonshadow Lenormand”: Part III

In Part I of this mini-series, I talked about how I created my Palimpsest templates. In Part II, I explained about the archetypal images used in the Lenormand cartomancy system and how I sourced my images. Now that I had both my Palimpsest templates and my photos/images ready, I was ready to start working on my Lenormand cards.

These are the Apps I used:
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PicsArt – my main go-to App, has loads of clipart
Photo Editor – for filters and resizing
Litho – has a wealth of texture filters and lovely antiquarian clipart
Pixlr Express – lots of filters, including nifty inky borders
Photo Studio Pro – great clipart
Smoothie – great filters and effects
Snapseed – good for textures and grunge
Repix – I like this for the special effects
iMagic Pro Image – has useful clipart and filters
Photo Editor – has lots of full colour clipart, however resolution is low
AThumbCut – great for cutting out images to make your own clipart
Touch Retouch – indispensible for cleaning up unwanted areas of images

Here then is the secret of how I created my images:

THERE IS NO SECRET FORMULA

You just have to experiment with effects and filters, bounce from one App to another, try this and that, until you arrive at a result you’re happy with. It really is that simple. Mobile photography art isn’t something that can be taught. Anyone can show you Apps, but it’s up to you to learn how each one works, and decide which ones you want to keep in your stable of Go To Apps. Everyone has their own style, and therefore their own favourite filters and effects. These just happen to be my personal palette.

Enjoy! Here are just a few of my favourite images from my Project:

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In the next 2 posts, I will show you the full deck, with explanations. So, watch out for Part IV and Part V, coming up next!

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The Making of the “Moonshadow Lenormand”: Part II

And so, following on from Part I of “The Making Of the Moonshadow Lenormand” yesterday, here is Part II.

For those unfamiliar with Lenormand cartomancy, it’s basically a set of 36 cards, with or without playing card inserts. Some readers use the playing card inserts for further depth in their readings, for example to add nuance or to signify people other than the querent. Others regard the pips as a leftover and unneccesary effect from when the first Lenormand decks were created using actual piquet playing cards. Some modern decks do not even have the playing card pips.

The 36 cards, regardless of which artist or publisher, always contain the same archetypes. There are modern, whimsical artist decks with Halloween or Christmas themes, where the imagery is dark and spooky, or bright and festive, and where substitutions might occur…for example in a Halloween themed Lenormand deck, the 1st card, which is the Rider, might instead be The Headless Horseman. And for a Christmas themed Lenormand deck, the Rider may well be Father Christmas on his reindeer sleigh.

Here are the 36 cards in any traditional Lenormand deck, and their corresponding Archetypes:

1 Rider
2 Clover
3 Ship
4 House
5 Tree
6 Clouds
7 Snake
8 Coffin
9 Bouquet
10 Scythe
11 Whip
12 Birds
13 Child
14 Fox
15 Bear
16 Stars
17 Stork
18 Dog
19 Tower
20 Garden
21 Mountain
22 Crossroads
23 Mice
24 Heart
25 Ring
26 Book
27 Letter
28 Man
29 Woman
30 Lily
31 Sun
32 Moon
33 Key
34 Fish
35 Anchor
36 Cross

Here’s an image showing Titania Hardie’s Fortune Cards (Lenormand style) and the 36 cards arranged in a Grand Tableau.

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When I first embarked on this Project or Journey, I knew I would encounter a few snags along the way. One of them was finding the archetypal images to go with the cards. Some of the more mundane images, e.g house, tree, clouds, birds etc were easy enough to source via my Samsung Galaxy S4’s camera i.e by taking actual photos. Others were not so easy…you just don’t come across foxes, bears or storks in your everyday meanderings. Or scythes and whips either. And I’d have to travel far to get a snapshot of a real maritime tallship or a mountain.

That’s where Google, Wikimedia and the beautiful term “Public Domain” come into play. I set up folders on my S4 camera roll to house archetypal images that I found online that were in the public domain. This means that I can then utilise these images in my work, without fear of stealing someone else’s copyright to them, as the original copyright owners have already voluntarily relinquished their rights to the image, i.e gifted it to the world, or the copyright has expired, 70 years after the death of the original artist/photographer/copyright holder. For example, I found that the copyright to Beatrix Potter’s Peter Rabbit illustrations expired in January this year, 2014. Similarly, John Tenniel’s illustrations for Alice in Wonderland and others of the same era, expired years ago.

Anyhow, I managed to cobble together my 36 archetypal images, and so began the real work – using my S4 and Apps to create the imagery for each card.

Of which more in Part III. ;)

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The Making of the “Moonshadow Lenormand”: Part I

Okay, folks have been asking me how I created my first Lenormand cartomancy deck.

This Project had me using a technique I had never even considered before. And it’s such an old technique, by today’s standards. By this I mean the use of a Scanner.

I’d been intrigued by seeing pictures of the Palimpsest Lenormand, by Bertrand Saint Guillain.

Palimpsest : masc. noun, A palimpsest (/ˈpælɪmpsɛst/) is a manuscript page from a scroll or book from which the text has been scraped off and which can be used again. The word “palimpsest” comes through Latin palimpsēstus from Ancient Greek παλίμψηστος (palímpsestos, “scratched or scraped again”) originally compounded from πάλιν (palin, “again”) and ψάω (psao, “I scrape”) literally meaning “scraped clean and used again”.
Source: (http://en.wikipedia.org/wiki/Palimpsest)

Here’s a photo of some of Bertrand’s cards:

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Here’s an explanation of how and why Bertrand created the Palimpsest Lenormand, taken from his site:

From realisation to the final picture
The drawing is made by hand on standard cards whose original picture has been partially or entirely covered (hence the name). The result is then photographed and slightly adjusted with an image manipulation program to harmonize the whole deck.

Instead of having an insert in the middle of the card, the standard card association is given by the corner indices.

I was strongly intrigued by the whole idea of using the Palimpsest method for my deck. I decided I would use it as a springboard for my own deck. Not copying Bertrand’s deck, but distilling the idea of Palimpsest and giving it my own creative twist.

I already had 2 decks of cheap playing cards, so I sacrificed one. And set to desecrating obliterating altering (hehehe) the central images of the cards with white gesso. I had no Tippex like Bertrand, but I had lots of Gesso to hand. Needs must.

I was coming from a mobile photographer’s point of view, so instead of following Bertrand’s technique of photographing the finished product, like he did, I knew I wanted a digital version I could then work on. So I simply gessoed the 36 cards I needed (reducing the playing cards deck from 52 to 36 by removing the cards numbered 2-5 from each suit) and then I scanned each card, one by one, on my trusty old workhorse, the Canon Pixma MX870 printer-scanner-copier-fax.

I then transferred the scans to my Samsung Galaxy S4 smartphone, which is essentially my studio. To do this, I first had to save the scans to a USB stick, then transfer them to my Mac, then from the Mac I used an App called Photo Transfer (funnily enough) to move them to the S4. Convoluted, but worth it.

Et voila! A Palimpsest deck of playing cards that can be used time and time again, as the template or background to my first Lenormand deck. Or any subsequent Lenormand deck, for that matter. I wasn’t too concerned about whether I’d completely covered the central images on each card or not, or whether I’d gessoed over parts of the side indices, as I like a bit of randomness. Besides, most of the central part of each card would be covered by digital imagery that I would superimpose on them.

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The gessoed cards
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Close-up of some of the gessoed cards.

Please bookmark this and check out Part II, coming up next, where I will explain how I then used my Palimpsest templates to create my Moonshadow Lenormand cards.

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All Done With Mirrors

I’m in the midst of not one but two concurrent projects creating Oracle cards and Lenormand cards. For my Oracle card shenanigans, read here. I haven’t blogged about Lenormand cards yet, or indeed about my Lenormand cards project, as I’m still learning about that divination system myself. Rest assured all will be revealed in due course.

So, my idea is to create a deck of Oracle cards, which I will then either 1) approach a publisher to license or 2) self-publish through a Print-on-Demand site. Still having a think about how to get a package together consisting of the deck of cards, a box and what those in the trade call the LWB or the “little white book”.

My Oracle Cards project has passed the 40th mark, out of a potential 52 cards, so it is well on the way.

As for my Lenormand Cards project, I’ve done 12 out of the 36 cards that make up a Lenormand deck. I’m taking my time with this project, as I’m learning about the symbols and meanings as I go along. Fascinating subject, which I will blog about soon enough.

All playing cards have a front and back, right? My digital mixed media photography art will go on the front of the cards, and now I need to create some designs for the back too. Here are some potential card back designs that I created using the App PicsArt, mainly playing with its “Distort” filter which offers image mirroring on X and Y axes, easily creating symmetrical designs.

PicsArt for Android

PicsArt for iOS

Enjoy! (All images copyright AlyZen Moonshadow)

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222

Will you be my No.222?

Congratulations to the very next person to Follow my humble blog. You will be my 222nd follower, and as already promised here, this is what you will receive as a Thank You (see below).

This is the freebie. It’s A4 size, full resolution.

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All you need to do is drop me a line on alyzenmoonshadow@hotmail.com with your contact details and postal address, and I’ll be sure to post your freebie out to you. :)

Oh, and since some of you who already follow me have asked, ditto if You email me your details and I will send You a freebie too. Limited to 5 (as I’m not quite rolling in money hehe). Offer good on emails received by 20th October.

Namasté! 🙇

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Forget the Man Shed, I want a Woman Shed!

My studio at home is shared with a host of baby Japanese Quails during the summer months, and for the rest of the time with any old thing that happens to end up in our spare room. Luckily, as a mobile photography artist my smartphone is my workspace, and I only need a physical space for when I do actual printing. When that is required, I simply lay down sheets of butcher paper on the floor, which I can whisk away again at a moment’s notice.

Having said that, our garden is big enough for a shed/caravan, so here are 10 of my favourites. I would love to have 1 to call my Studio, please!

(Source: Pinterest)

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Last, but not least, this one! :)
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FREEBIE!

I have, after 16 months of blogging, finally cracked the ceiling and surpassed 200 followers. That’s not many, by most accounts, but these followers still follow me even after realising that I blog every single day. And despite knowing that my posts could be very random, from a funny anecdote, to Life philosophy, a poem, an expression of sadness, a rant, curated images from my Pinterest boards, inspirational quotes, the sharing of my digital imagery workflow, recipes, gardening etc. Maybe they don’t read every single entry that I post, but I appreciate the fact that they are still following me. So, I am very grateful to you all!

Besides, the number of followers you have isn’t necessarily an indication of how good a person you are. Look at Hitler, he had millions. Jesus Christ had twelve. Just sayin’ ;)!

Anyway, when I wrote this initially I was on the cusp of getting my 200th follower, and I thought it was time again to give out freebies, to help celebrate this milestone. Just one freebie this time, though. And not a virtual one, either.

However, I got my 200th follower before I finished writing this piece…so now the prize will instead be awarded to my 222nd follower. I like number repeats :).

This is what you will receive:

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This is one of my images from my ongoing Oracle Cards Project, created using my Samsung Galaxy S4 and Android Apps. It will be printed onto glossy photographic paper, A4 size, signed on the back and shipped out to you. I will contact the lucky winner via your blog or email. I will find a way! :)

(The lucky winner will get a mention in an update on this post).

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RETROSPECTIVE : DALIENUTOPIA

Another of my favourite mobile photography themes is Surrealism. Back in April 2011, when I first discovered the Baigup Wetlands just across the river Swan from where we were living in Ascot then, I devoted an entire series of iPhone photographs to the weird and wonderful Australian gumtrees in that swamp, as well as in the reserve on our own side of the river.  I even self-published my first Blurb book, titled “DALIENUTOPIA“, a play on the words “Dali”, “Alien” and “Utopia”. If you like it, please buy a copy!

Here is the link to my DALIENUTOPIA, and here are some of the images from that Series. All photos taken and edited using an iPhone 4. (I’m so happy to have found my images on my external hard-drive. It’s very difficult to find anything there, as I wasn’t terribly organised then and things would be filed willy nilly without a care for chronological order, or titles. Consider this a Retrospective of my mobile photography career!)

Before you ask, Yes, I DID spend a lot of my time ankle or even knee deep in mud for the sake of my Art :-).

Dalienutopia 1

Dalienutopia 2

Dalienutopia 3

Dalienutopia 5

Dalienutopia 6

Dalienutopia 8

Dalienutopia 13

Dalienutopia 19

Dalienutopia 22

Dalienutopia 26

Dalienutopia 27

Dalienutopia 28

Dalienutopia 29

Dalienutopia 31

Dalienutopia 32

Dalienutopia 33

Dalienutopia 35

Dalienutopia 42

Dalienutopia 49

Dalienutopia 52

Dalienutopia 57

Dalienutopia 59

Dalienutopia 65

Dalienutopia 78

Dalienutopia 91

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Dalienutopia 100

Dalienutopia 108

 

 

 

Workflow : INITIATE

Here is another card from my Oracle Cards project. The card is called “INITIATE”. I was inspired by a graphic I saw on Pinterest, which utilised curlicues, shape templates and borders.

For the background, I chose a photo of a piece of scrapbooking paper (oh, I have hundreds of those!).

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Which I then processed on my Samsung Galaxy S4 with the app PicsArt. I added a frame, some curlicues and a shaped template, from the Clipart section of PicsArt. Then I added the text “INITIATE”.

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My initial idea was to create an image that looked vintage and mysterious. I quite liked the above image already as it was, but I felt it was missing something.

So I loaded the image to Pixlr Express and toyed with a few filters and effects. Then I noticed a new set of effects that the developers post up for a limited time every now and then, like a teaser.

Of all the effects I tried on my image, this geometric one spoke to me the most.

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And there you go. :)

INITIATE : If you have a project or a plan but you have been procrastinating about starting it, now is the perfect time to put things into motion. Initiate action now, and things will fall into place. Don’t overthink it, trust your instincts and your heart will tell you if you’re going the right way.

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