Category Archives: Tutorial

Carpe Diem

Well, actually, no. Take away the last letters of each word in the title above, and you’ll have a fair idea of what I’m talking about.

We have about 17 Japanese Koi (or carp) and goldfish in a large, square pond out the back of our house. I say 17 because they never stay still long enough for me to do a proper headcount.

Make that 16.

I found one this morning, not swimming like its friends, but just floating and occasionally zipping out of the water all aflutter, before sinking back into the water. Most strange. I dosed the water with green multi-ailment liquid, added tap water conditioner, algicide, aquarium salt, cleaned out the sponge filter, topped up the pond with fresh water. I even held the poor fish in my hands and willed it to get better.

All to no avail. The poor thing carried on for half an hour more, with its friends gathering round and nudging it, either to encourage it to rally round, or to say good bye. It was quite touching watching them. I left it in the pond for 15 minutes more, in case it was just playing dead.

When I was truly convinced it was dead, I went into the house to get a sheet of butcher paper to wrap it in (it was a big fish, about 15 inches long). It was then I got the idea of preserving the memory of the fish on paper. It was, after all, the largest fish in our pond, and one of my favourites. :'(

Now, my cousin HM loves to fish, and he’s had some very good results with the art of Gyotaku, or fish rubbing. In fact, I wrote about him not too long ago, here.

So I decided I’d follow my cousin’s example and do my own Gyotaku with my carp before burying it. It would be a way of remembering it, and honouring it in a manner of speaking. One last dance together.

And here is how we did it.

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I quickly learnt that it’s better and easier to rub the paper over the fish, instead of placing the fish on the paper. My cousin HM used Japanese handmade rice paper, but all I had was butcher paper. My hands got stained with the food dye because I was handling the fish rather than the paper at first.
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(Anyone want to read my palms? Go ahead! 😄)

My studio is awash with fish! Some came out good, others too watery to capture much detail. Below are some of the clearer imprints. Not as good as my cousin’s, but they will serve as memorials to my fish.

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Carpe Diem!

P/S: Due to one reader’s rather insensitive remarks to me, about the fish ending up all covered in “blicky food colouring” and “smashed up in butcher paper” to become “fish fertiliser for roses”, I think I should explain what happened to my fish friend afterwards. I washed all the food dye off, then wrapped it in a fresh sheet of butcher paper. Then I dug a hole in the plant trough by our swimming pool and buried it there. I put an old log and a pot of hen & chicks over the grave, to prevent any cats from getting at it. It’s right next to Valiant, my baby Japanese quail with splayed legs that I tried to help but that drowned in its water bowl back in November last year.

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Printfinity by MOO.COM

MOO is an English company specialising in primarily printing business cards, though they also make postcards, “mini” business cards, flyers, stickers, labels etc. The main website is MOO, however there are regional, geographical differences, in terms of currency displays, depending on which country you are in. For example, if you choose Europe, the site will show you MOO’s prices in Euros.

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MOO’s blurb:


MOO makes life a little less virtual.
We help our customers print things like Business Cards, Postcards and MiniCards, making it easy for them to share information about themselves or their business in the real world.

Print is simple and wonderful. We love it.

We’re a new kind of online printing business
MOO was born out of a love of beautiful, high-quality print.

Printing has been around for centuries, and we’re certainly not the first printer on the web. But, whilst many other printers have chosen to use new technologies to simply reduce the costs of printing (and often the quality), we strive to make print not only cost-effective but better than ever before.

We want to set a new standard for print, with remarkable new products that bring great design and uncompromising, high standards to the web. We’re only young, but when we grow up we want to be the best printer on the internet.

We believe in the power of great design
Design is key to everything MOO does.

Design helps us stand out: from the clothes we wear, to the homes we live in, to the business cards we use. Design tells a story about us and what we stand for.

But professional-quality design has traditionally been expensive or out of reach for most people; we want to change this. We’re passionate about helping people of all abilities design the best looking and highest quality print products: products that will help them or their business look great.

Our company vision is simple but ambitious: “great design for everyone”.

More about MOO…
MOO is an award-winning online print business.

Founded in 2006, MOO aims to disrupt the $100 billion global print industry by combining professional design with the accessibility and reach of the web.

MOO prints millions of cards a month and has hundreds of thousands of customers in over 180 countries. MOO has also become a much-loved brand, with a 75% NetPromoter rating.

The company has won 3 Webby awards (the web’s Oscars), has been profiled in the Financial Times, and was ranked in the top 10 UK start-up companies by the Guardian Newspaper. MOO has offices in London, UK as well as Providence and Boston, USA.

MOO has also raised over $5m in venture capital from the Accelerator Group, Index Ventures and Atlas Venture, the investors behind Skype, Betfair, Lovefilm, Last.fm and MySQL.

My post today is about Printfinity. Printfinity is MOO’s word for a very unique service, one I haven’t come across with other printers.

http://eu.moo.com/about/printfinity.html


What is Printfinity?
It’s the word we invented for a technology that’s completely unique to MOO. With Printfinity you can print a different photo or design on every Business Card, Sticker or Postcard in a pack. It’s a real conversation starter that means you can carry your portfolio in your pocket, show off your favourite products and help people remember your business.

As an artist, I just love the whole idea of Printfinity. For example, instead of printing 10 designs of 100 cards each, and then separating and sorting them into 100 packs of 10 designs, MOO’s Printfinity technology lets me upload my 10 designs onto their template, and then I simply have to specify whether I want 50 or 100 cards. If 50 cards, I will receive 5 of each of the 10 designs. If 100, I will receive 10 of each of the 10 designs. So I end up with just 1 pack of 100 cards, rather than 10 packs of 100 cards. Do the maths.

I have used MOO’s services a few times, primarily to get business cards made up using Printfinity. I recently ran another batch of 100 cards, using 25 different designs. I got an email from MOO offering me 50% off my next purchase, so I decided to use the same designs and have 100 “mini” cards made up as well. “Mini” cards are, half the size of business cards – 2 of them, placed side by side, make up the size of a normal business card.

Printfinity is a great way of seeing how my art looks on a product, plus I have something to show or give away to customers or potential customers too, like a pocket portfolio. I might get some flyers made up next…

MOO offers a range of different papers and finishes for their products, from a basic, everyday range to a high-end “luxe” range. This suits every budget.

The templates provided by MOO are really easy to use. For text, you get a good choice of fonts and font sizes. Simply write your text, then flip the template over to upload your images.

Delivery costs depend on the country you live in. I ordered mine and received them within 10 days, pretty good for UK to Australia these days. Each set of cards comes in its own robust cardboard box, a nice classy touch, great for presentations.

So, if you’re looking for something different, with a good range of paper options and pricing, ease of use, user-friendly templates, easy repeat ordering, a great customer service and delivery, innovative packaging, then MOO’s the one for you.

Below are examples from Google images of what others have used MOO for:

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Let’s Get This Party Started!

I recently bought a new plant, an Epiphyllum with the variety name “Surprise Party”. I’d heard about these “orchid cactus” plants, which produce beautiful, huge flowers. My local garden centre had a variety of Epis (as they’re fondly called), and I chose the “Surprise Party” for its unusual dual light pink + dark pink colours.

Here’s a good site on what they are and how to grow Epiphyllums. http://m.wikihow.com/Grow-Epiphyllum-Cactus

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I wanted to create a terrarium-like environment for my new plant. I’d also bought some mosslike Sagina Gold Pearlwort, which I would use to create a mossy carpet for my Epi.
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I used a large clear plastic bowl that I filled firstly with some aquarium gravel, followed by a mixture of general compost, sand, wetting agent and fertiliser. I love treating my indoor gardening experiments like terrariums.

I removed my Epi from its cramped little pot, and transplanted it, label, supporting frame and all, to the middle of my bowl. Then I sectioned my mossy Pearlwort into smaller chunks and stuck them into the compost around the Epi.

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For variety and for fun, I decided to place some black & white striped zebra toy figures next to the Pearlwort clumps. So it would look like they were eating grass. I also found a little white seagull which I perched on the frame.

My Epi miniature safari garden will sit by my bedroom window, where it will get filtered sunlight during the day, and warmth during cold winter nights. (You can see a part of my LEGO figures fantasy Terrarium behind the Epi garden).

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Who says gardening can’t be fun?! 😆

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Transplanted Polar Bears

I used to have a Basil plant, and high aspirations of making my own pesto sauce for pasta. Sadly, I only ever used a few leaves here and there when making spaghetti meatballs (the kid’s favourite dish). So Basil my Basil (yes, really) sat on my kitchen windowsill and just grew and grew. Eventually he reached the top of the window, had flowers which bloomed and died, and leaves which dried and were shed willy nilly all over my kitchen sink.

One day I brutally trimmed Basil down to nothing but 2 shoots. I threw these shoots into a bowl of water and hoped for the best. Luckily, one of the shoots took root. I then decided to re-pot my next generation Basil.

On one of my thrift shop expeditions I’d bought a large Spanish/Portuguese-inspired square bowl for the princely sum of $5.25. I decided this would make a suitable container for Basil my basil.

But when I showed Basil his new home, he looked at me sadly and said, “I’m going to be lonely here all by myself”…so what’s a girl to do but go to her local garden centre to look for some suitable playmates for her lonely basil plant.

I bought a pack of Italian herbs, namely Parsley, Basil and Oregano. (More aspirations of making beautiful Italian dishes SIGH). Now we were ready to begin.

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I’d no intention of making holes in the bottom of my Hispanic bowl, so instead I decided to treat my herb planting like I would a terrarium. Firstly, I filled the bottom of the bowl with some large pebbles. Then with aquarium gravel. Then I put in some aquarium carbon. These would provide the neccessary aeration/filtration for my new herb garden.

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Then, I put in a mixture of general compost, wetting agent, sand and fertiliser.

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Here are the herbs I bought:

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I removed the little plants from their tray, and transplanted them to my prepared Hispanic bowl. I stuck in a rooted Rosemary sprig as well, to add variety.

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Ok, looking good. I spritzed the whole thing well and tamped down the soil around the plants. Then I decided to look through my bag of little toy creatures that I keep meaning to make something with…and decided it was time I released my polar bears into the wild.

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It might not be the North Pole. It might not even be cold. But my 3 transplanted Polar Bears look happy enough. As does Basil, surrounded by his new friends.

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DON’T QUIT!

Alas, alack! Now that I am on Android KitKat 4.4.2 (ominous drum roll, please), 2 of my must-have Apps for “harmonious blending”, namely Blend Collage and Photo Tangler, have stopped saving my work, rendering themselves essentially useless. I have contacted both App developers, and to date have not gotten any acknowledgement or response. So, all day yesterday and today I have been searching on Android’s Google Play Store for alternatives.

One after another, I discarded all potential replacement Apps for my beloved, newly departed Blend Collage and Photo Tangler. What I wanted was an App with that feathered edges look, so I could collage different backgrounds together seamlessly without any hard edges.

I do have a back-up, thankfully. My Samsung Note 10.1 2014 edition has not been updated to KitKat 4.4.2, so both Blend Collage and Photo Tangler still work on it. Problem is, I don’t tend to carry the Note around with me, and all my photos are on my S4. I have transferred the bulk of my background images over to the Note now, so, if I have no other alternative, I will process my background collages on the Note, then transfer them back to the S4 for further processing. Pain in the proverbial, though!

As I tried and discarded App after App today, something at the back of my mind niggled me. At the last hour, literally, just before midnight last night, I decided to test out my theory…

…which was to utilise an App that I’ve only ever used for one thing – cutting out images. I figured if that App could cut out images for me, it MUST have a collage function somewhere to paste all those cutouts.

Yes!!! My hunch was correct. Face palm I have been so silly to have ignored that little niggling voice in my head all day…The App is my beloved AThumb Cut. And it gives me the all-important feathering of the edges. Hurrah!

Some screenshots to show you the pathway on AThumb Cut. And just so I remember the steps myself. Remember: the key is the Jigsaw icon.

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With AThumb Cut’s “Jigsaw” collage function, I am able to manipulate each component image individually. I am not limited as to how many images I want to cobble together. I can resize, twist or distort up to a complete 360° rotation, freeze/unfreeze in place, I can tweak the opacity or transparency of each individual component image, and most importantly, use the “Edge Transparency” and “Edge Colour” sliders to create the feathering of the edges.

Here are a few more “collaged backgrounds” I’ve created:

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So, who’s a happy bunny again? I shook my fist at the sky and yelled “I’ll never give up!”…and my efforts were rewarded.

This famous Anonymous poem sums it up perfectly:

Everyone of us sometimes learns,
And many a failure turns about
When they might have won, had they stuck it out.
Don’t give up though the pace seems slow,
You may succeed with another blow.

Often the goal is nearer than,
It seems to a faint and faltering man,
Often the struggler has given up
When he might have captured the victor’s cup;
And he learned too late when the night came down,
How close he was to the golden crown.

Success is failure turned inside out
The silver tint of the clouds of doubt
And you never can tell how close you are,
It may be near when it seems so far;
So stick to the fight when you’re hardest hit,
It’s when things seem worst that you must not quit!

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If Life Gives You Oranges…

We are lucky enough to have a mature orange tree in our garden. It may lean a bit too far to one side, but that’s okay, as long as it doesn’t decide to uproot itself. I’m not sure what type of orange it is, as it was already there when we bought our house and there was no label or tag. It’s probably whatever was available at the garden centre. Generally, it just stands there doing nothing, until suddenly you notice the heady perfume of its blossoms (one of my favourite smells of all time is the orange blossom, I like it even better than the fragrance of jasmine blossoms), and then you notice the fruit growing on the tree. A couple of months later, you notice flashes of orange and yellow through the foliage. And before you know it, by June you have a tree full of ripe oranges. (We’re talking Australian seasons here, so June would be the start of our winter).

We have no shortage of bees in our garden, thanks to the orange tree. I’m not the only one who appreciates the fragrance of its blossoms. I like the presence of the bees, and I don’t mind standing in their midst watching them go about their business. They don’t seem to mind me either, I haven’t been stung once.

What do you do when Life gives you Oranges? You make Marmalade, of course. Or, you invite a friend over to “rape” your tree – I did that once last year, and the lady basically helped herself to over 20 kilos of oranges…I’d left her in the garden with 5 plastic carrier bags, and 5 minutes later when I came out to check on her, my poor tree was denuded of its fruit, and the carrier bags were bulging. Fortunately, this happened AFTER I’d harvested what I needed for my own household, and had already made 4 batches of marmalade.

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Here’s my recipe for making Marmalade. I wrote this on my Facebook page last year. To view the photos and follow the cooking steps, first click on the link below, then sign into your Facebook account if you aren’t already signed in. You’ll have to use the Next and Previous arrows to move from one step to the next. Explanations on what’s happening in each photo can be found under each photo.

https://www.facebook.com/photo.php?fbid=437183746318276&set=a.436505849719399.90500.100000799631033&type=3&theater

Enjoy!! I call my Marmalade “Distilled Sunshine” or “The REAL Amber Nectar” :-)

This Old Dog did some more Digging…

…continuing from yesterday’s new trick learnt, I went exploring further. I knew I wanted an App that does blending of images, collage-style, but with a “harmonious” feel. By this I mean the feathering and softening of edges where the blended images meet, rather than solid, straight grid lines between images. Now, I know some of you already collage your holiday/wedding/birthday etc snapshots likewise, and this is old news…but it’s new to this old dog, so bear with me ;-).

My Samsung Galaxy S4’s native camera’s in-roll editor gives me a rudimentary “harmonious” collage, as you would have read in my previous post. And that was what started me on my quest. Now I needed to find an App that satisfied the following criteria:

1. The ability to blend as many images as I want, at the same time, without having to save and reload.

2. The ability to move, rotate and resize images on the screen easily.

3. The ability to sort the layers of photos, to bring one above or below another.

4. The ability to add backgrounds or textures to the overall image, as a unifying factor.

5. The ability to change the ratio of the resulting collaged image, i.e 1:1 for square format, to vertical or horizontal rectangles, etc.

I know. Tall order, right? It would be an additional Plus if I could find an App that does all the above And More.

Guess what? I did! It’s on the Google Play Store, and it’s called “Blend Collage“. There’s a Free and a Paid version, I tested out the free version first and was impressed enough to purchase the full version, I believe it cost me AU$2.25. The full version lets you save at maximum resolution. The free version would be fine if you’re just doing collages for fun or for your own photo albums, but for my purposes, I need my images to be at the highest resolutions possible.

Screenshots showing the in-app how-to tutorial (self-explanatory, really):

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I had a good play with the App and found it intuitive to use, with no indecipherable icons. There is no Undo button as such. However, until you actually click on the “Save” button, you may go back to each individual image in your collage and change their position, size, orientation, amount of blurring or feathering, even delete images or add new ones.

Blend Collage certainly ticks all the boxes outlined above, and then some. The bonuses I found were that you can add Text and Clipart from within the App itself, without having to export your work into another App. There’s also the choice of numerous backgrounds and textures to add to your work, without having to go outside the App. It’s quite a comprehensive App and I’m glad I found it.

The masking lasso (the icon labelled “Mask”) is particularly useful, as it can be used to mask each image individually. You can adjust the amount of blurring around the edges of each image to your heart’s content; as long as you haven’t clicked on “Save”, you will be able to go back and tweak the effects. To toggle between one function or filter and another, just click on the button at the top left corner. It functions somewhat like a Back button.

Also, in the Settings (cogwheel icon at the top right corner), my S4 had images saving at 9/10 quality, presumably to save on storage space. You can easily set this to save at 10/10 i.e 100%. This may well make saving your work take a tad longer, but it will be worth it if high resolutions are a must, like they are for my own work.

I’m still playing with Blend Collage, figuring out how I’m going to incorporate it with my projects. But so far, it’s exceeded my expectations. Here is a collage I threw together the first time I tried the App out. As you can tell, it’s only a rough estimate. I haven’t found the ideal amount of blurring/feathering/fogging around the edges of my mask yet, but that will come with practice, I’m sure.

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And here is another example, only this time I’ve not done any blurring of the edges, but instead have chosen to play around with the layers of butterflies and I also added a background taken from within the App itself. The butterflies came out blurry, I enlarged them too much…however, I like how easy it is to simply lay one image over another and alter the order of the layers. Hmmm…I think this is worth exploring further.

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Here are some more images which I have run through other Apps after forming the initial collage in Blend Collage.

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And these two, where I think I’m finally getting the hang of the blurring-of-the-edges look.

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UPDATE 3rd June 2014:
Sad to report that, after updating my Samsung Galaxy S4 to Android 4.4.2 KitKat, Blend Collage can no longer save my work. At all. I have written to the developers but it’s been a week now and I’ve had no response. If your Android device is not yet on 4.4.2, you will probably still be able to use this App.

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The Sartorial Butterfly

So there I was standing in the Salvo’s thrift shop in Subiaco not 2 weeks ago, going through the shelves of books and bric-a-brac. My eyes passed over a stack of old dressmaking patterns lying in a basket on one of the shelves, but my hands stopped. A ludicrous idea popped unannounced into my head. I’m rather prone to these flights of fancy, but this particular one was exemplary.

I opened up one of the printed envelopes containing patterns for a dress. I expected cut pieces to fall out, but instead the pattern was completely intact. Which meant it had never been used. Hooray for me!

Wait, no, I’m not about to dive into dressmaking. I could never make out what was what, and besides, I have a love-hate relationship with my sewing machine. I keep it locked up in the shed. It is so well hidden I can’t remember where I put it.

No, the ludicrous idea that popped into my head then asked these questions:

1) would dressmaking paper take inkjet printing well? It is after all made of tissue paper.
2) would the tissue be strong enough to take the weight of inkjet inks?
3) The pattern designs could make for interesting mixed media art when combined with my own photographic manipulations. Or would they look too weird?
4) would the yellow tint on the aging paper detract from my images?
5) how many A4 and A3 pieces could I possibly cut from one packet of patterns?

Having asked myself these questions, and having filed them away in my internal “Find Out” list, I proceeded to sift through the dressmaking packets. I struck gold with a couple that contained 3 or even 4 folded up designs inside the one envelope. All in all, I bought 5 packets at $1.99 each.

Back home, I spent a few minutes trying to figure out the best way to cut the tissue paper to size. I could use an A4 piece of cardboard as a template and cut around it, or I could fold the paper into roughly A4 shapes and cut along the folds. The former was going to be time-consuming. The latter appealed more to me, as it had elements of surprise and randomness in it. I love random.

imageOne of the cut tissue paper sheets.

imageI taped the cut tissue paper to my A4 canvas carrier sheet. There was quite a lot of overhang, so I taped that down at the back. After printing, I will simply slide a blade along the sides to free the paper from the carrier sheet. (The marks and splodges you see are only on the carrier sheet, from many passes through my printers, which sometimes misbehave and streak, and the wiggly lines down the middle are from the repositionable gluestick I use to tack the tissue paper to the carrier sheet. Incidentally, I use both sides of the carrier sheet interchangeably).

imageOne of the printed sheets and a gessoed wooden cradled board ready to receive it. I will use a combination of gesso and acrylic gel medium to adhere the tissue to the board. (I used to use Mod Podge but it worked out too expensive).

imageHere are 5 that I printed earlier. I sprayed them with workable fixative to prevent the inks from straying off the paper.

imageI had 3 gessoed boards prepared already, so I chose 3 of the printed images to adhere to the boards.

☆★☆★☆★☆★☆★☆★☆★☆★☆

The following show the digital images followed by their mixed media results on board:

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And, to answer my questions above:
1. Yes, dressmaking pattern tissue paper takes inkjet printing exceptionally well.
2. Yes, the tissue is thin yet robust enough to handle the weight of inks.
3. I love the randomness of the results, the text and diagrams on the tissue paper add heaps of appeal to the mixed media look.
4. The yellowness of the tissue paper is hardly noticeable, apart from imparting a vintage tint to the overall look. I shall compensate by adjusting my processed images to contain brighter colours.
5. I got 16 approximately A4 sized sheets from 1 packet of dressmaking patterns.

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Workflow : MARIPOSA AZUL

Mariposa is Spanish for Butterfly. Azul is Spanish for Blue. I was on Pinterest the day I created this, gathering images of the Principality of Asturias in Spain where I’d lived from 2005-2007, and I guess my mind must have still been on Spain. I hope some day to be able to go back to visit my beloved Asturias, with her fabulous mountain scenery, historical architecture, culture, music, gaita bagpipes, fabada, cheeses and apple cider, and the friendliest people I’ve ever met. Maybe someday I’ll camp again at that campsite opposite the private zoo in my adopted hometown of Cangas de Onis, just so I can hear the dawn and dusk chorus of the wolves there. Or visit the beautiful basilica of Covadonga, which is postcard perfect and the birthplace of the Spanish Reconquista.

I must write about my Adventures in Asturias soon, but for now here is my workflow describing how I created MARIPOSA AZUL.

I used these 2 photos of scrapbooking papers the basis for the image. Notice that the 1st image contains part of a map with the words “Spanish” on it.

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I used the App “Smoothie” to increase the brightness, saturation, sharpness and contrast of both images. I also changed the hues of both images, and rotated the 2nd image.

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Next, I used the App “PicsArt” to blend the two images together.
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I then added the blue butterfly wing. (I’d just prepared over 150 new butterfly clipart using photos of taxidermy butterflies from the natural history section of the Museum of Western Australia in Perth). After adding the butterfly, I tweaked the brightness, contrast and saturation of the image some more.

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Using the App “Repix”, I obliterated the entire image using the Drips, Daubs, Chalk, Hollywood, Vintage and Freshen brushes. And then excavated and revealed it back again using the Undoer brush. I deliberately left some drip marks behind, to impart a painterly feel.
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I processed the image once more using “Smoothie” to add saturation, bringing out the blues of the butterfly wing more. And here we have it: MARIPOSA AZUL. My tribute to Asturias.

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Workflow : Bowerbird Boudoir

I’m writing this down so I don’t forget. Again. Last year, I challenged myself to create seamless pattern repeats using only my mobile phone. Some of my experiments worked better than others.
Lately, I’ve entered into a couple of online competitions for designing pattern repeats. And guess what…I’ve only gone and forgotten the formulas that work for me!

So that is why I’m writing this.

Here are the images I’ve used to create “Bowerbird Boudoir”:

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(This is actually a composite of 3 images that I’d created a few days ago)

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(The bird was a clipart from Dover, that I’d blended with a colourfield background. I then cut out the image to use as clipart).

Here is the workflow:

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In Repix, I used the Drips brush to completely obliterate the image. Then I had fun revealing parts of the image whilst leaving other parts concealed.

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I used PicsArt to first do a horizontal mirroring of my image, and then a vertical one. As long as you do at least one mirroring on each axis, your image will be guaranteed to repeat seamlessly. I could have quartered the image and done the “magic corners” thing, but that later entails a lot of smudging and cloning to ensure a seamless join. I much prefer this mirroring method.

I then used Photo Editor to invert the colours. I also tweaked the colours a little, using the Colour Replace (RGB) filter.

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Then, back in PicsArt, I used the clipart bird and placed 2 birds on the image.

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After this, it was a simple matter of setting up a grid of 4 rectangles, and repeating the image. I decided to use 2 images with the birds, and 2 without.

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This pleases me and reminds me of an Art Nouveau illustration.

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