Tag Archives: Gelli Plate

Child’s Play

Gather your Ingredients:

1 crazy Gelli Plate addict (moi!)
1 Gelli Plate
3 double-sided children’s texture plates
Your choice of acrylic paint colours (I use them All!)
Some glitter paint (if you have them)
Brayer
8 sheets of A4 art paper (I use 190 gsm, but anything from 120gsm upwards is ok)
Sheets of Deli Paper (or Greaseproof paper for those who can’t get hold of Deli Paper)

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One side of the 3 children’s texture plates I used.
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The reverse side of the same texture plates.

Method:
1. Load up your Gelli Plate with several dots of different coloured acrylic paints at the same time.

2. Use brayer to spread paint over the Gelli Plate. Do this quickly and try not to smear the colours too much, or go over the same areas more than once or twice. Otherwise you will get mud.

3. Use the kiddy texture plates to stamp patterns onto the painted Gelli Plate. Take the painted texture plate and stamp it at random places on some of the A3 sheets of paper.

4. Place a sheet of Deli Paper/Greaseproof Paper over the Gelli Plate to absorb excess paint. Pull a print. Remove and put the printed Deli Paper aside for other projects.

5. Place a sheet of the A3 art paper over the Gelli Plate and pull a print. If there’s any paint still left on the Gelli Plate, pull another print.

6. Repeat steps 1 to 5 above with different colour combinations, until both sides of all 8 A3 sheets are filled. Leave some white spaces, for contrast.

7. Frame your favourite prints. Or, I would tear the A3 sheets into smaller pieces to bind later into my Juicy Journals.

Some of the results:

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And some close-ups:

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You can’t really make it out in the photos, but there is a glittery shimmer to the papers, as I’d mixed some glitter paint into some of the Gelli prints. I love the effect! It’s quite sophisticated, instead of being childish.

Now, go play! :-)

Gelli Printing with Deli Paper

At last! As part of a job lot I purchased from Interweave (the people behind the mixed media mag Cloth Paper Scissors), I was able to get my grubby paws on the almost-mythical, legendary American “Deli Paper”. The paper that American artists have been waxing lyrical about, pun intended.
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Now, I haven’t yet done a comparison study between our Aussie Greaseproof Paper and the American Deli Paper, but to me they feel pretty alike. I was intrigued by the claim that Deli Paper will become transparent when glued to other substrates. So, let’s take this baby for a spin, on my Gelli Plate.

First, I must share with you the object that inspired this latest experiment. It’s actually a teacup and saucer that The Kid picked out for me from T2 in Perth City. The range is called “She Loves“, and my teacup and saucer are no.633 of a limited edition of 900.

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The wrapping paper it came in echoed the theme, and once I’d painstakingly removed the sticky tape cleanly, said wrapping paper went up on my bedroom wall. I used a couple of Apps on my Samsung Galaxy Note 4 to edit a photo I took of the wrapping paper, and added slme more colour and texture to it. It is now my Note 4’s wallpaper.

Here it is:
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So, with this colour palette in mind, I decided to play with my new Deli Paper, to put it through its paces and see what all the hype is about.
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As my Gelli Plate is 8×10 inches, and the Deli Papers are 6×10.75 inches, I found the best way to marry the two was to use 2 pieces of Deli Paper. I’d already tested out 2 sheets previously, glueing them onto a large art tag, and making more art tags seemed a good place to start. Of course, in retrospect, I could’ve used all the Deli Paper on my Gelli Plate, leaving some extra paint on the outside of the Plate…but hindsight is always 20/20, right? ;-)

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I deviated from my usual method of Gelli printing, by experimenting with the way I laid my acrylic paints down. Normally, I would work with 1 colour at a time. This time, however, I decided to go for a mixed, ink splashy look, just like on my teacup and saucer. So, this time I squeezed a few drops of 1 colour onto the Gelli Plate, followed by a few drops of a different colour, and perhaps a third colour, before using my brayer to smoosh the colours around. I tried not to mix the colours too much, as I didn’t want to end up with homogenised mud.

So here are the results:
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These are the printed Deli Papers. I’ve put them aside to dry. I also have 4 A3 sheets of paper, printed on both sides, as a result of brayering off excess paints and stencils etc. Because I only used 4 sheets this time, as opposed to my usual 6 or 8, the sheets are super-saturated with all sorts of interesting abstract shapes and colours. I don’t think I’ll be needing to use any or much Dylusion Ink Sprays to fill in the blank spaces, as there aren’t that many blank spaces!

Not sure what I’ll do with all these yet, but watch this space!

T2-inspired “WOW-MOM” Gelli Prints : Part 3 Assembling the Juicy Journal

Here we are, following on from yesterday’s post. What have we got? A bunch of Gelli Plate printed papers, printed on both sides and torn by hand into equal, smaller pieces, ready to be made into Juicy Journals.

Now to assemble the Juicy Journal. Hmmm…how shall I stitch this one? I have some ideas for new stitches, let’s see if it works.

First, get your gear together:
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Twine, scissors, pen, measuring tape (I can’t find my ruler!), knitting needles (my awl), drawing pin (my other awl for making pilot holes), stack of paper. These are the papers that I “juiced up” earlier in my last post. I have grouped them in couplets i.e 2 pages to a signature…so in that stack are 6 signature couplets.

Here are the 6 signatures, on end. Just to show you how vibrant and colourful they are.

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I marked 4 holes in each of the signatures’ spine. And used the drawing pin to make pilot holes, which I then enlarge using my knitting needle. I’m high tech, like that LOL.
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Now that all 6 signatures have 4 holes, it’s time to bind them together. Remember, it’s all an experiment…and I have no idea how it will turn out. Here goes!

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I’ve decided to bind 2 signatures together, side by side. That will make 3 couplets when the whole journal is assembled.

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Now to bind all of these together.

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Here are some close-ups showing the bindings.
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Quite pleased with this, the brown twine knots gives it a rustic look, but I’d rather have a stronger stitch down the middle, not just one on its own.

T2-inspired “WOW-MOM” Gelli Prints: Part 2 The Prints with Paint and Inks

Following on from yesterday’s post, here are some of the results of my Gelli Printing, using only a colour palette of shades of pinks, reds, oranges and yellow.

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Previously, I would use all the acrylic paint colours I had, when Gelli Plate printing. I like my colours to sing, like those raucous flocks of cockatoos that fly over my house in the mornings and evenings. My aim when Gelli printing, is to fill every surface of my paper with paint and interesting shapes by using stencils and texture mats. Then the fun really starts, when I pull out my Dylusions Ink Sprays and Tim Holtz’s Ranger Distress Inkpads, and go to town with them.

I wanted to create a contrast, and using the same colour palette with my inks as with the paint would not work. This is where I diverged from my original plan..hey, I’m Divergent! Cool! :-)

So, goodbye WOW-MOM idea, here comes AlyZen’s colourful take! Here’s a photo of the ink sprays and inkpads I used – in shades of blue, green and purple. I also used some shimmery ink sprays, as I like a bit of bling on my artwork.

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I wasn’t sure how this experiment would turn out, but it turned out amazingly good, if I say so myself. I am turning these into another Juicy Journal, so in preparation, I’ve torn my A3 papers into smaller sheets and folded them, before inking over them. I do the preparation and tearing first, so my torn deckled edges get inked too.

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Ok, next up – handbinding these papers into another Juicy Journal. I have thought up a stitch I want to try out, so in my next post you can see how that goes.

T2inspired “WOW-MOM” Gelli Prints: Part 1 The Inspiration

I came across T2‘s online advertisement for Mother’s Day, which was a GIF that slowly transformed the word WOW into MOM, over a background of abstract shapes. The colours used for the background were restricted to varying shades of pink, red, orange and yellow.

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I decided I would try creating some Gelli Prints using only those similar colours. Using my newest homewares-sources texture mats. And then, for contrast, using inks from the blue spectrum to fill in the spaces in-between.

So, here are my latest finds from the homewares aisle of local shops, which will create the marks for my Gelli plate prints. These are silicone trivets, a pencil case (yes, really),  felt placemats and a plastic/raffia round placemat.

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And here’s my restricted palette of colours to be used:

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As you can see, I get my acrylic paints from various sources. I like them runny and squeezy, as they’re easier to apply to my Gelli Plate that way. I find the paint in tubes a little too dry and hard to brayer on the Gelli Plate. These tubes are cheap, costing me only around $2-5 each.

Tomorrow I will show the results of this WOW-MOM Gelli Plate Printing experiment.

4 more Juicy Journals – Pamphlet Stitch

I got such a great response from my latest Art Abandonment exercise, that I was prompted to go make some more of my Juicy Journals Journals. Some members of the Art Abandonment Group on Facebook wanted to buy my Juicy Journals. I haven’t made enough to warrant selling them just yet, but I offered to send one to the first 3 people to Private Message me their address. I got 5 within just a few minutes, so I decided to honour all 5.

So, after doing my Art Abandonment exercise on May 1st, I popped 5 more of my Juicy Journals into envelopes and posted them off to the lucky 5. 2 to USA, 1 to Canada and 2 within Australia.

And now, finding myself low on Juicy Journals, I’ve just made 4 more. This time with a simple pamphlet stitch. Simply put, this stitch works over 3 holes in the spine of the journal. (These have 4 pages, folded in half, so you get 8 pages in all). To make the stitch, I simply passed a length of coloured hemp (great stuff, that), into the spine at the holes on both ends of the journal. Then I poked each end through the hole in the middle. Then I simply made sure each end was on either side of the stitch in the middle of the spine, and tied them together in a shoelace knot.

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And here are some details of the pages within these Juicy Journals:
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For my next experiments, I’m going to try using a limited colour palette, for the Gelli Printing. On top of which I will use inks of contrasting colours. This advertisement that I saw recently on T2 (below) will be my guide. Stay tuned!

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Juicy Journals

I’ve heard the term “Juicy Backgrounds” used by several mixed media artists. What they mean are journal pages that are ready prepped, either by printing or painting or the addition of ephemera, as opposed to a pristine blank journal page. This helps jumpstart the creative juices, and goes a long way towards overcoming fear of the blank page, or Artist Block, if you will.

Which makes a lot of sense to me, as I would love to start an art journal, however I’ve never been able to find something worthy to throw onto a page and go on from there. Until now, that is. When my stash of Gelli Plate monoprints started overflowing, I decided it was time to do something with them. And I hit upon the idea of creating mini art journals with those pages. I love books, both to read and as an art form, and making my own art journals using papers that I’d printed seemed an ideal way of marrying the 2 art forms – Monoprinting and Handmade Books.

I’m calling my Art Journals “Juicy Journals” because they are already filled with colour splashes, abstract shapes, glitter and shimmer, stamped alphabets and numbers, so in a sense they are very “juicy” indeed. They’re meant to be enjoyed on their own, or, if you like, you can draw/stamp/paint/etc over them to your heart’s content. There’s no right or wrong way to enjoy them.

Here are some photos of the books I’ve made thus far. I started out with simply tying the pages together so more pages can be added if needed. Then I ventured into pamphlet stitching, hard and soft covers, and even created a few bookbinding stitches of my own. Two of these “Juicy Journals” are winging their way to friends in the UK and USA as I write this, and I hope to sell/give away/Abandon the others.

Enjoy!

20150419_113532Two horizontal Juicy Journals.

20150419_113825Top: 2 vertical, 3 Alphabetica pocket pages, 2 horizontal, 1 soft cover hand bound, 1 square ring bound.

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My 8 original minis, rebound with coloured hemp cord.

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Inside one of my “Alphabetica” pocket pages. The 3 little insert cards go into the button-n-string envelope.

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My 3 “Alphabetica” pocket pages. I love those little button-n-string envelopes.

 20150419_113100Detail of one of the pages of my ring-bound Juicy Journal.

20150419_113425Detail of the inside of 2 of my horizontal Juicy Journals.

Strip Art

No, no, not what you’re thinking. Pfftt! Tut tut. Naughty naughty ;-).

I mean Art made from Strips of Gelli prints. That’s my latest creative notion, one that I’ll get to eventually once I’ve done the 101 (ahem!) other little projects I’ve set myself.

Like these that I’ve curated from Pinterest. The first one is my ultimate aim; the Pinterest link led to an Etsy store, but the item had already been snapped up by some lucky bugger. So I thought to myself, “Never mind, I’ll just have to make my own!”. The others are for inspiration. Go, me!

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Digital + Mixed Media Mashups

I’m really enjoying myself playing with my Gelli plates, both the rectangular one that’s intact and the other which I dissected into 3 round plates of different diameters, 2 small rectangular ones, and a few small triangular and square ones.

My main medium however, is digital photography. What makes me a happy bunny these days is being able to marry the two successfully. Digital + Mixed Media.

I love the possibilities this opens up. Lately I’ve been tearing up my Gelli plate monoprints (yes, really) and turning them into little handmade Art Journals. I wrote about that earlier here (insert link).

Having accumulated quite a lot of Gelli plate prints now, I decided to take photos of them and blend them with other photos on my Samsung Galaxy Note 4. I use mainly just 2 Apps – Photo Blender and Photo Editor. I love those 2 Apps.

Anyway, here are some of my latest Digital + Mixed Media Mashups, as I call them. Hope you like them!

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Mini Art Journals from Gelli Prints

So, I’m awash with all these Gelli plate monoprints. I’ve kept the best and my favourites (not necessarily exclusive to each other) for myself, but still there are dozens of prints that did not quite make the cut, but are too pretty to just throw away.

What’s a girl to do?

I know, make some mini art journals. I can then write in them, sell them on eBay and Etsy, give them away, or Abandon them. Hmmm…sounds good to me. Reuse, recycle.

Here we go!

I used my A3 prints. Folded them in half lengthways, tore them rather than used scissors. I like the ragged deckled edge look. Some further folding and tearing later, and et voila! I had enough to make four 10-page mini journals. I used some twine that I’d saved up from parcels received in the post (always one for recycling), and secured the pages together…if I need to add to the pages or change their order, I can simply untie the twine.

Some of the pages had empty spaces near the edges. Others looked a little drab. So I dragged out my stash of Tim Holtz Ranger Distressed Ink Pads and Ranger Dylusions Ink Sprays, and had a field day playing with colour.

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Some photos of individual pages:

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You like? I like!! :-)