Tag Archives: monoprinting

Random Gelli® Prints I’ve Made

I haven’t been creating any Gelli® prints lately, as I’ve embarked on a Cert IV in Veterinary Nursing and now my time’s taken up with reading all I can on the subject, or doing my online Assessments. Next Monday, hopefully til the end of my course, I start my Work Placement with a vet clinic about 15 miles away from home. Wednesdays and Fridays then, will be when I go to the Dogs’ Refuge to sit with my fine, furry, four-legged friends.

Anyway, I was going through my vaults of Gelli® art print images, and felt it’s time to once again share them with you, dear friends.

Feel free to download, copy, paste, collage, print etc etc if you like. Tell your friends, too! Enjoy!

(The use of the name Gelli® is by kind request and permission from Gelli Arts®).

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Project NOW: Part I

Lately, I’ve been hankering after decoupaged wooden letters, the sort you see in trendy homes spelling inspiring words like LOVE, HOME, PEACE, JOY etc.

Like these that I saw on a Google Image search:

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So, when I saw some large wooden letters for sale at Thingz, one of my favourite home decoration stores, I decided to buy some to create my own cutesy letter art “sculpture”.

Why the word NOW? Well, I would’ve bought the letters H O M E or L O V E, but for the fact that each letter cost $7.99 but I could buy 3 for $20. So, I had to choose a 3-letter word, and N O W seemed a great idea.

Those of you following my humble blog will have noticed that I haven’t written about any Gelli® plate printing lately. That’s because I’ve been busy vacillating between reading Mind, Body & Spirit books and creating digital photography art on my Samsung Galaxy Note 4. While at the same time fantasising about my Next Big Project. And getting nowhere. There’s just not enough time in the day to do everything, and I can’t clone myself.

As it so happened, I had a whole pile of Gelli® prints lying dormant, awaiting further action. Now would be a perfect time to use up some of them.

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I selected the prints I wanted, then traced around each letter with a fine-tipped Sharpie pen. Then I used scissors and a scalpel (for the fiddly bits) to cut out the shapes.

I used PVA woodworking glue as my adhesive, and stuck the cut out Gelli® print letters to the wooden N O W letters.

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The wooden N O W letters were about an inch thick. I wanted to cover the depth of the letters with my Gelli® prints as well as front, so I measured and cut out several strips of Gelli® prints for the sides.
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And here they are, with front AND sides done. All that’s needed is to seal the surfaces and then varnish the letters.

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There’s another reason why I chose NOW instead of another 3-letter word such as JOY, but I’ll tell you what that is in my next post. 😄

FREEBIES! Gelli® Print images

I must admit I haven’t been practising my Gelli® printing lately, having been drawn in a different direction by my latest mixed media photography art projects. If only there were more hours in the day, if only I could split myself in 2 or even 3, one to do Gelli® printing, one to work on my photographic art, and one to run around town doing other things.

No, housework is NOT one of those other things.

Also, you may have noticed that every time I mention the word Gelli® I now use the ® sign after it. This is with the permission of Gelli Arts®, with whom I have no affiliation. It’s so folks don’t get confused and think I work for Gelli Arts®, or am endorsing their product.

What I Have been doing, these past month, is using photos of my Gelli® prints in conjunction with other photos and clipart on my mobile device, to create images for ongoing projects.

So right now, I have over 200 close up photos of my monoprints. Of which you’re welcome to do whatever you like with the following:

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Have a great weekend, folks!

Juicy Journals with Word Bands

I snagged myself a set of 12 Ranger Tim Holtz Word Bands on eBay recently. They cost me around AUD$20 in total, and that’s invlcluding postage. When the word bands arrived in the post, I knew they would be perfect for my next Juicy Journal project. (For the unitiated, my Juicy Journals are Gelli Plate printed and inked pages torn into segments and bundled together into booklets, to be either enjoyed as they are, as artist books, or they can be scribbled/doodled/painted/collaged on as you like. Both sides of the paper are printed. No 2 pages are ever the same i.e they are monoprints).

This is what the Tim Holtz Word Bands look like:
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They’ve words of inspiration etched on them, like “possibility begins with imagination”, “dream as if you’ll live forever”, “life is about creating yourself” etc. There’s a handy loop on each end of the 2-inch tags, perfect for securing and binding to my Juicy Journals.

I used a modified Ledger binding for this project. I’ve written about that project previously here. This time, I didn’t tie the loose ends together, as that would’ve created a tented look where the threads joined, and would’ve partially obscured the word tags and detracted from the overall look. Instead, I simply tied up each loose end with a double shoelace knot.

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I used 8 A3-sized art papers, Gelliprinted on both sides using children’s texture mats and various other stamps made from household items. Out of the 8 A3 sized sheets of 190gsm weight paper I was able to make 4 Juicy Journals.

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Sweet, aren’t they? I’m considering putting up some of my Juicy Journals for sale on my Etsy store. Currently, all I have on offer there are Lenormand divination cards that I designed myself. Do visit my Etsy store! :-)

Child’s Play

Gather your Ingredients:

1 crazy Gelli Plate addict (moi!)
1 Gelli Plate
3 double-sided children’s texture plates
Your choice of acrylic paint colours (I use them All!)
Some glitter paint (if you have them)
Brayer
8 sheets of A4 art paper (I use 190 gsm, but anything from 120gsm upwards is ok)
Sheets of Deli Paper (or Greaseproof paper for those who can’t get hold of Deli Paper)

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One side of the 3 children’s texture plates I used.
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The reverse side of the same texture plates.

Method:
1. Load up your Gelli Plate with several dots of different coloured acrylic paints at the same time.

2. Use brayer to spread paint over the Gelli Plate. Do this quickly and try not to smear the colours too much, or go over the same areas more than once or twice. Otherwise you will get mud.

3. Use the kiddy texture plates to stamp patterns onto the painted Gelli Plate. Take the painted texture plate and stamp it at random places on some of the A3 sheets of paper.

4. Place a sheet of Deli Paper/Greaseproof Paper over the Gelli Plate to absorb excess paint. Pull a print. Remove and put the printed Deli Paper aside for other projects.

5. Place a sheet of the A3 art paper over the Gelli Plate and pull a print. If there’s any paint still left on the Gelli Plate, pull another print.

6. Repeat steps 1 to 5 above with different colour combinations, until both sides of all 8 A3 sheets are filled. Leave some white spaces, for contrast.

7. Frame your favourite prints. Or, I would tear the A3 sheets into smaller pieces to bind later into my Juicy Journals.

Some of the results:

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And some close-ups:

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You can’t really make it out in the photos, but there is a glittery shimmer to the papers, as I’d mixed some glitter paint into some of the Gelli prints. I love the effect! It’s quite sophisticated, instead of being childish.

Now, go play! :-)

Gelli Printing with Deli Paper

At last! As part of a job lot I purchased from Interweave (the people behind the mixed media mag Cloth Paper Scissors), I was able to get my grubby paws on the almost-mythical, legendary American “Deli Paper”. The paper that American artists have been waxing lyrical about, pun intended.
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Now, I haven’t yet done a comparison study between our Aussie Greaseproof Paper and the American Deli Paper, but to me they feel pretty alike. I was intrigued by the claim that Deli Paper will become transparent when glued to other substrates. So, let’s take this baby for a spin, on my Gelli Plate.

First, I must share with you the object that inspired this latest experiment. It’s actually a teacup and saucer that The Kid picked out for me from T2 in Perth City. The range is called “She Loves“, and my teacup and saucer are no.633 of a limited edition of 900.

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The wrapping paper it came in echoed the theme, and once I’d painstakingly removed the sticky tape cleanly, said wrapping paper went up on my bedroom wall. I used a couple of Apps on my Samsung Galaxy Note 4 to edit a photo I took of the wrapping paper, and added slme more colour and texture to it. It is now my Note 4’s wallpaper.

Here it is:
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So, with this colour palette in mind, I decided to play with my new Deli Paper, to put it through its paces and see what all the hype is about.
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As my Gelli Plate is 8×10 inches, and the Deli Papers are 6×10.75 inches, I found the best way to marry the two was to use 2 pieces of Deli Paper. I’d already tested out 2 sheets previously, glueing them onto a large art tag, and making more art tags seemed a good place to start. Of course, in retrospect, I could’ve used all the Deli Paper on my Gelli Plate, leaving some extra paint on the outside of the Plate…but hindsight is always 20/20, right? ;-)

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I deviated from my usual method of Gelli printing, by experimenting with the way I laid my acrylic paints down. Normally, I would work with 1 colour at a time. This time, however, I decided to go for a mixed, ink splashy look, just like on my teacup and saucer. So, this time I squeezed a few drops of 1 colour onto the Gelli Plate, followed by a few drops of a different colour, and perhaps a third colour, before using my brayer to smoosh the colours around. I tried not to mix the colours too much, as I didn’t want to end up with homogenised mud.

So here are the results:
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These are the printed Deli Papers. I’ve put them aside to dry. I also have 4 A3 sheets of paper, printed on both sides, as a result of brayering off excess paints and stencils etc. Because I only used 4 sheets this time, as opposed to my usual 6 or 8, the sheets are super-saturated with all sorts of interesting abstract shapes and colours. I don’t think I’ll be needing to use any or much Dylusion Ink Sprays to fill in the blank spaces, as there aren’t that many blank spaces!

Not sure what I’ll do with all these yet, but watch this space!

T2-inspired “WOW-MOM” Gelli Prints : Part 3 Assembling the Juicy Journal

Here we are, following on from yesterday’s post. What have we got? A bunch of Gelli Plate printed papers, printed on both sides and torn by hand into equal, smaller pieces, ready to be made into Juicy Journals.

Now to assemble the Juicy Journal. Hmmm…how shall I stitch this one? I have some ideas for new stitches, let’s see if it works.

First, get your gear together:
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Twine, scissors, pen, measuring tape (I can’t find my ruler!), knitting needles (my awl), drawing pin (my other awl for making pilot holes), stack of paper. These are the papers that I “juiced up” earlier in my last post. I have grouped them in couplets i.e 2 pages to a signature…so in that stack are 6 signature couplets.

Here are the 6 signatures, on end. Just to show you how vibrant and colourful they are.

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I marked 4 holes in each of the signatures’ spine. And used the drawing pin to make pilot holes, which I then enlarge using my knitting needle. I’m high tech, like that LOL.
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Now that all 6 signatures have 4 holes, it’s time to bind them together. Remember, it’s all an experiment…and I have no idea how it will turn out. Here goes!

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I’ve decided to bind 2 signatures together, side by side. That will make 3 couplets when the whole journal is assembled.

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Now to bind all of these together.

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Here are some close-ups showing the bindings.
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Quite pleased with this, the brown twine knots gives it a rustic look, but I’d rather have a stronger stitch down the middle, not just one on its own.

T2-inspired “WOW-MOM” Gelli Prints: Part 2 The Prints with Paint and Inks

Following on from yesterday’s post, here are some of the results of my Gelli Printing, using only a colour palette of shades of pinks, reds, oranges and yellow.

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Previously, I would use all the acrylic paint colours I had, when Gelli Plate printing. I like my colours to sing, like those raucous flocks of cockatoos that fly over my house in the mornings and evenings. My aim when Gelli printing, is to fill every surface of my paper with paint and interesting shapes by using stencils and texture mats. Then the fun really starts, when I pull out my Dylusions Ink Sprays and Tim Holtz’s Ranger Distress Inkpads, and go to town with them.

I wanted to create a contrast, and using the same colour palette with my inks as with the paint would not work. This is where I diverged from my original plan..hey, I’m Divergent! Cool! :-)

So, goodbye WOW-MOM idea, here comes AlyZen’s colourful take! Here’s a photo of the ink sprays and inkpads I used – in shades of blue, green and purple. I also used some shimmery ink sprays, as I like a bit of bling on my artwork.

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I wasn’t sure how this experiment would turn out, but it turned out amazingly good, if I say so myself. I am turning these into another Juicy Journal, so in preparation, I’ve torn my A3 papers into smaller sheets and folded them, before inking over them. I do the preparation and tearing first, so my torn deckled edges get inked too.

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Ok, next up – handbinding these papers into another Juicy Journal. I have thought up a stitch I want to try out, so in my next post you can see how that goes.

T2inspired “WOW-MOM” Gelli Prints: Part 1 The Inspiration

I came across T2‘s online advertisement for Mother’s Day, which was a GIF that slowly transformed the word WOW into MOM, over a background of abstract shapes. The colours used for the background were restricted to varying shades of pink, red, orange and yellow.

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I decided I would try creating some Gelli Prints using only those similar colours. Using my newest homewares-sources texture mats. And then, for contrast, using inks from the blue spectrum to fill in the spaces in-between.

So, here are my latest finds from the homewares aisle of local shops, which will create the marks for my Gelli plate prints. These are silicone trivets, a pencil case (yes, really),  felt placemats and a plastic/raffia round placemat.

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And here’s my restricted palette of colours to be used:

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As you can see, I get my acrylic paints from various sources. I like them runny and squeezy, as they’re easier to apply to my Gelli Plate that way. I find the paint in tubes a little too dry and hard to brayer on the Gelli Plate. These tubes are cheap, costing me only around $2-5 each.

Tomorrow I will show the results of this WOW-MOM Gelli Plate Printing experiment.

Another Handbound Juicy Journal

This is just a follow-up on my last post, where I explained the process of handbinding my art journal, that I call a “Juicy Journal”. In my previous post, I mentioned at the end that I would try a version with the inner long stitch lengthened further, and with more weaving along the spine. Both for strength and aesthetic.

This is the spine of the Juicy Journal from my previous post.

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As you can see, this binding is based on 4 equidistant holes in the spine of the journal.

Here now is the spine of my newest handmade Juicy Journal, with the lengthened and strengthened spine.

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You can see how the black twine has been woven into the spine of the Juicy Journal, and forms quite a substantial part of it. I like this better, so I might do a few journals using this technique.

Here are some pages from my newest handmade Juicy Journal. I used metallic and white paint for my favourite alphabet and number jumble block stamps this time. And I played with making shapes out of the stamps, by selectively inking (dabbing paint onto) parts of the stamp and leaving other parts uninked. This goes with the theme of circles that runs throughout the pages.

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