Category Archives: Printing

Random Gelli® Prints I’ve Made

I haven’t been creating any Gelli® prints lately, as I’ve embarked on a Cert IV in Veterinary Nursing and now my time’s taken up with reading all I can on the subject, or doing my online Assessments. Next Monday, hopefully til the end of my course, I start my Work Placement with a vet clinic about 15 miles away from home. Wednesdays and Fridays then, will be when I go to the Dogs’ Refuge to sit with my fine, furry, four-legged friends.

Anyway, I was going through my vaults of Gelli® art print images, and felt it’s time to once again share them with you, dear friends.

Feel free to download, copy, paste, collage, print etc etc if you like. Tell your friends, too! Enjoy!

(The use of the name Gelli® is by kind request and permission from Gelli Arts®).

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FREEBIES! Gelli® Print images

I must admit I haven’t been practising my Gelli® printing lately, having been drawn in a different direction by my latest mixed media photography art projects. If only there were more hours in the day, if only I could split myself in 2 or even 3, one to do Gelli® printing, one to work on my photographic art, and one to run around town doing other things.

No, housework is NOT one of those other things.

Also, you may have noticed that every time I mention the word Gelli® I now use the ® sign after it. This is with the permission of Gelli Arts®, with whom I have no affiliation. It’s so folks don’t get confused and think I work for Gelli Arts®, or am endorsing their product.

What I Have been doing, these past month, is using photos of my Gelli® prints in conjunction with other photos and clipart on my mobile device, to create images for ongoing projects.

So right now, I have over 200 close up photos of my monoprints. Of which you’re welcome to do whatever you like with the following:

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Have a great weekend, folks!

Juicy Journals with Word Bands

I snagged myself a set of 12 Ranger Tim Holtz Word Bands on eBay recently. They cost me around AUD$20 in total, and that’s invlcluding postage. When the word bands arrived in the post, I knew they would be perfect for my next Juicy Journal project. (For the unitiated, my Juicy Journals are Gelli Plate printed and inked pages torn into segments and bundled together into booklets, to be either enjoyed as they are, as artist books, or they can be scribbled/doodled/painted/collaged on as you like. Both sides of the paper are printed. No 2 pages are ever the same i.e they are monoprints).

This is what the Tim Holtz Word Bands look like:
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They’ve words of inspiration etched on them, like “possibility begins with imagination”, “dream as if you’ll live forever”, “life is about creating yourself” etc. There’s a handy loop on each end of the 2-inch tags, perfect for securing and binding to my Juicy Journals.

I used a modified Ledger binding for this project. I’ve written about that project previously here. This time, I didn’t tie the loose ends together, as that would’ve created a tented look where the threads joined, and would’ve partially obscured the word tags and detracted from the overall look. Instead, I simply tied up each loose end with a double shoelace knot.

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I used 8 A3-sized art papers, Gelliprinted on both sides using children’s texture mats and various other stamps made from household items. Out of the 8 A3 sized sheets of 190gsm weight paper I was able to make 4 Juicy Journals.

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Sweet, aren’t they? I’m considering putting up some of my Juicy Journals for sale on my Etsy store. Currently, all I have on offer there are Lenormand divination cards that I designed myself. Do visit my Etsy store! 🙂

Handmade : Ledger

Here’s my attempt at ledger binding some Juicy Journals. I wanted to try out a different type of binding, and also a different size and shape of journal. I’d used a texture mat (read placemat) that looked like snakeskin, so the idea came to me to create a journal that was longer than it was high.

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Here are the strips of Gelli printed paper that I’ve torn to size. They’re printed on both sides of the paper.

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Make 2 holes through all the layers of your stack of papers. Take an 8 inch piece of twine (I used hemp) and, starting from the end edge on the left as in the photo above, thread the twine into the hole and out the top edge. Then continue over the edge and thread back into the same hole. Your twine should end up on the left edge, underneath the stack. Tie both ends of twine together.

Turn the paper stack over and repeat the step above for the other hole.
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Your stack will look like the photo above.

Now, simply tie the loose ends of the twine together. You may want to use an bead, for added interest. I didn’t have any beads, but I did have some Ranger Tim Holtz thingys (I never know what to call them), so I used them instead.

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It reminds me of an old Chinese coin. That, and the snakeskin effect Gelli prints and the shimmery ink effect I used, add to the Oriental effect of this project.

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Here are the completed ledger-bound Juicy Journals. They can be “read” the conventional way, from left to right or horizontally.
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Or, they can be hung up on a wall vertically, to be enjoyed as wall hangings.

Some more Mashups

Just some digital mash-ups of my Gelli plate monoprints, that I created using just 3 Apps, namely Photo Blender, PicsArt and Photo Editor. I love the riot of bright colours.

I might put these up on Kess InHouse Design’s website. I’ve been rather neglectful about updating my artist portal on Kess InHouse Designs. It’s high time I posted up more designs to be licensed, and why not these? I think they would translate very well to duvet covers, cushions, wall art, rugs etc.

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3 Juicy Journals from 2 Sheets of Paper

Ok, make that 2 BIG sheets of paper. 58 x 42 cm each, to be exact. Or 22.5 x 16.5 inches, if you’re Imperial.

For this project, I wanted to create some square Juicy Journals. I decided to lop off 8 x 17 cm from the two 58 x 42 cm sheets of paper that I’d already Gelli printed on both sides. This meant I could then divide the sheets up into strips of 50 x 25 cm. When folded in half, this would give me a booklet 25 x 25 cm square.

From the 2 large sheets, I was able to get 16 strips of 50 x 25 cm, and the leftovers were enough to make another Juicy Journal, not quite a square one though.

image The 8 pieces that I further divided into 2, to get the 16 strips.

image The 16 strips that will be folded in half to create square signatures of 8 pages each. I’m going to bind 2 signatures together, to get 16 pages per Juicy Journal.

image Each signature consists of 4 strips of 50 x 25 cm, folded in half to create 8 pages.

imageI’m using a pamphlet stitch, so I’ll need 3 holes in each booklet.

Basically, this technique is a really simple one, and is an optical illusion. You simply put two 8-page signatures together and sew them using a pamphlet stitch, and then fold the pages back into their respective signatures. The stitches will be hidden within the pages. I could take this a step further and create a hard cover, but I like to show off my Gelli printing, so I’ll leave them naked, so to speak.

imageHere’s how I sewed the Juicy Journal. Stand the 2 signatures you want to join together like in the photo. Open them up and align their holes. Bind all 8 layers together using a pamphlet stitch.

imageSewing the pamphlet stitch.

imageTying the knot to secure all 8 layers together.

imageFold the 2 signatures back to their respective starting points. This technique produces a booklet with a very neat finish at the spine. The stitches are hidden inside the pages.

imageFrom my 2 big sheets of Gelli printed paper, I managed to create 2 square Juicy Journals and 1 not-so-square one (from the leftover paper). That’s the one on the right, with the pamphlet stitch’s final knot showing on the outside.

imageI like the square format and think I might create some more of these. They require a bit more thought in measuring and tearing to size, but the results are very encouraging.

I also like the technique of sewing 2 signatures together, with the stitches hidden on the inside of the booklet. Might make more the same, too.

Hope you enjoyed this tutorial! 🙂

Child’s Play

Gather your Ingredients:

1 crazy Gelli Plate addict (moi!)
1 Gelli Plate
3 double-sided children’s texture plates
Your choice of acrylic paint colours (I use them All!)
Some glitter paint (if you have them)
Brayer
8 sheets of A4 art paper (I use 190 gsm, but anything from 120gsm upwards is ok)
Sheets of Deli Paper (or Greaseproof paper for those who can’t get hold of Deli Paper)

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One side of the 3 children’s texture plates I used.
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The reverse side of the same texture plates.

Method:
1. Load up your Gelli Plate with several dots of different coloured acrylic paints at the same time.

2. Use brayer to spread paint over the Gelli Plate. Do this quickly and try not to smear the colours too much, or go over the same areas more than once or twice. Otherwise you will get mud.

3. Use the kiddy texture plates to stamp patterns onto the painted Gelli Plate. Take the painted texture plate and stamp it at random places on some of the A3 sheets of paper.

4. Place a sheet of Deli Paper/Greaseproof Paper over the Gelli Plate to absorb excess paint. Pull a print. Remove and put the printed Deli Paper aside for other projects.

5. Place a sheet of the A3 art paper over the Gelli Plate and pull a print. If there’s any paint still left on the Gelli Plate, pull another print.

6. Repeat steps 1 to 5 above with different colour combinations, until both sides of all 8 A3 sheets are filled. Leave some white spaces, for contrast.

7. Frame your favourite prints. Or, I would tear the A3 sheets into smaller pieces to bind later into my Juicy Journals.

Some of the results:

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And some close-ups:

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You can’t really make it out in the photos, but there is a glittery shimmer to the papers, as I’d mixed some glitter paint into some of the Gelli prints. I love the effect! It’s quite sophisticated, instead of being childish.

Now, go play! 🙂

Gelli Printing with Deli Paper

At last! As part of a job lot I purchased from Interweave (the people behind the mixed media mag Cloth Paper Scissors), I was able to get my grubby paws on the almost-mythical, legendary American “Deli Paper”. The paper that American artists have been waxing lyrical about, pun intended.
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Now, I haven’t yet done a comparison study between our Aussie Greaseproof Paper and the American Deli Paper, but to me they feel pretty alike. I was intrigued by the claim that Deli Paper will become transparent when glued to other substrates. So, let’s take this baby for a spin, on my Gelli Plate.

First, I must share with you the object that inspired this latest experiment. It’s actually a teacup and saucer that The Kid picked out for me from T2 in Perth City. The range is called “She Loves“, and my teacup and saucer are no.633 of a limited edition of 900.

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The wrapping paper it came in echoed the theme, and once I’d painstakingly removed the sticky tape cleanly, said wrapping paper went up on my bedroom wall. I used a couple of Apps on my Samsung Galaxy Note 4 to edit a photo I took of the wrapping paper, and added slme more colour and texture to it. It is now my Note 4’s wallpaper.

Here it is:
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So, with this colour palette in mind, I decided to play with my new Deli Paper, to put it through its paces and see what all the hype is about.
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As my Gelli Plate is 8×10 inches, and the Deli Papers are 6×10.75 inches, I found the best way to marry the two was to use 2 pieces of Deli Paper. I’d already tested out 2 sheets previously, glueing them onto a large art tag, and making more art tags seemed a good place to start. Of course, in retrospect, I could’ve used all the Deli Paper on my Gelli Plate, leaving some extra paint on the outside of the Plate…but hindsight is always 20/20, right? 😉

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I deviated from my usual method of Gelli printing, by experimenting with the way I laid my acrylic paints down. Normally, I would work with 1 colour at a time. This time, however, I decided to go for a mixed, ink splashy look, just like on my teacup and saucer. So, this time I squeezed a few drops of 1 colour onto the Gelli Plate, followed by a few drops of a different colour, and perhaps a third colour, before using my brayer to smoosh the colours around. I tried not to mix the colours too much, as I didn’t want to end up with homogenised mud.

So here are the results:
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These are the printed Deli Papers. I’ve put them aside to dry. I also have 4 A3 sheets of paper, printed on both sides, as a result of brayering off excess paints and stencils etc. Because I only used 4 sheets this time, as opposed to my usual 6 or 8, the sheets are super-saturated with all sorts of interesting abstract shapes and colours. I don’t think I’ll be needing to use any or much Dylusion Ink Sprays to fill in the blank spaces, as there aren’t that many blank spaces!

Not sure what I’ll do with all these yet, but watch this space!

T2-inspired “WOW-MOM” Gelli Prints : Part 3 Assembling the Juicy Journal

Here we are, following on from yesterday’s post. What have we got? A bunch of Gelli Plate printed papers, printed on both sides and torn by hand into equal, smaller pieces, ready to be made into Juicy Journals.

Now to assemble the Juicy Journal. Hmmm…how shall I stitch this one? I have some ideas for new stitches, let’s see if it works.

First, get your gear together:
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Twine, scissors, pen, measuring tape (I can’t find my ruler!), knitting needles (my awl), drawing pin (my other awl for making pilot holes), stack of paper. These are the papers that I “juiced up” earlier in my last post. I have grouped them in couplets i.e 2 pages to a signature…so in that stack are 6 signature couplets.

Here are the 6 signatures, on end. Just to show you how vibrant and colourful they are.

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I marked 4 holes in each of the signatures’ spine. And used the drawing pin to make pilot holes, which I then enlarge using my knitting needle. I’m high tech, like that LOL.
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Now that all 6 signatures have 4 holes, it’s time to bind them together. Remember, it’s all an experiment…and I have no idea how it will turn out. Here goes!

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I’ve decided to bind 2 signatures together, side by side. That will make 3 couplets when the whole journal is assembled.

imageOne couplet done.

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Now to bind all of these together.

image I used black twine for the middle, to join up all the signatures and ensure the top and bottom bindings do not get undone easily.

Here are some close-ups showing the bindings.
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Quite pleased with this, the brown twine knots gives it a rustic look, but I’d rather have a stronger stitch down the middle, not just one on its own.

T2inspired “WOW-MOM” Gelli Prints: Part 1 The Inspiration

I came across T2‘s online advertisement for Mother’s Day, which was a GIF that slowly transformed the word WOW into MOM, over a background of abstract shapes. The colours used for the background were restricted to varying shades of pink, red, orange and yellow.

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I decided I would try creating some Gelli Prints using only those similar colours. Using my newest homewares-sources texture mats. And then, for contrast, using inks from the blue spectrum to fill in the spaces in-between.

So, here are my latest finds from the homewares aisle of local shops, which will create the marks for my Gelli plate prints. These are silicone trivets, a pencil case (yes, really),  felt placemats and a plastic/raffia round placemat.

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And here’s my restricted palette of colours to be used:

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As you can see, I get my acrylic paints from various sources. I like them runny and squeezy, as they’re easier to apply to my Gelli Plate that way. I find the paint in tubes a little too dry and hard to brayer on the Gelli Plate. These tubes are cheap, costing me only around $2-5 each.

Tomorrow I will show the results of this WOW-MOM Gelli Plate Printing experiment.